

Pavel Stourac, director of the Continuo Theatre (Czech Republich)
4 CreditsMTH-MTH-WPM-04.20F.003


Barbara Stocker, Geschäftsleitung Theater Tuchlaube Aarau
2 CreditsMTH-MTH-WPM-02.20F.002


Prof. Dr. Richard Weihe,
Pavel Stourac, director of Continuo Theatre (Czech Republic)
Corinna Vitale, Head of Master Studies
2 CreditsMTH-MTH-WPM-02.20F.003


Prof. Dr. Richard Weihe, professor for Theatre Theory in the Master Program of the ATD
2 CreditsMTH-MTH-WPM-02.20F.001


Wolfram Heberle (Studiengangsleiter BA und MA HKB), Christian Lüdi (Input Social Media)
2 CreditsMTH-MTH-WPM-02.20F.019
ATD / "Thinking Theatre" 


Campus Wahlmodul / Master Class / Kursangebot der Partnerschule (ATD)
Nummer und Typ | MTH-MTH-WPM-02.20F.001 / Moduldurchführung |
---|---|
Modul | Master-Campus-Theater-CH 02 ECTS |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Prof. Dr. Richard Weihe, professor for Theatre Theory in the Master Program of the ATD |
Ort | ATD, Verscio |
Anzahl Teilnehmende | 5 - 10 |
ECTS | 2 Credits |
Zielgruppen | ATD Students |
Inhalte | The course primarily addresses students of the MA in Physical Theatre at the Accademia Teatro Dimitri. It is intended as a historical and theoretical introduction to theatrical forms whose starting point of the creative process is not a printed drama but the actor’s body on stage. We will investigate the artistic aims of the reformers who opposed the institutionalized theatre in the twentieth century – most famously epitomized by Antonin Artaud’s appeal “No more masterpieces!”, opposing “fixed” dramatic texts that belong to literature, not to the theatre. Contemporary aesthetics of Physical or Devised Theatre is indebted to the historical attempts of stage artists to constitute the theatre as an independent art form, not an animated library. We note that the word “drama” is derived from a Greek verb simply meaning “to do/act”. In this sense the aim of the course is to train our ability to think theatrically. The theory will observe the practice: Students will be asked to present their master projects in the seminar, offering their ideas, influences, artistic aims for debate in the group. Can we find a common aesthetic in the different projects? A theatre of creative actors, cre/-attori? |
Bibliographie / Literatur | Routledge Companion to Theatre and Performance The Routledge Dictionary of Performance and Contemporary Theatre Copies of selected primary texts by theatre artists will be provided |
Termine | 30. – 31.03.2020 & 25. – 26.05.2020 |
Dauer | All day |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Englisch |