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1.5 CreditsDMU-WKFK-8003.20F.002


Monika Gysel (MoGy)
1 CreditFTH-BTH-VRE-L-412.20F.001_(MTH/BTH)


Kurt Widorski
3 CreditsDMU-WKMA-2102.20F.001


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.20F.002


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.20F.001


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.20F.001


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.20F.002


Lars Mlekusch
1.5 CreditsDMU-WKAN-1201.20F.001


Chris Wiesendanger, Dennis Bäsecke-Beltrametti
1 CreditDMU-WKAN-1202.20F.001


Martina Schucan
2 CreditsDMU-WKAN-1200.20F.001


2 CreditsMKT-VKO-SEAK-KE08-4.20F.001


Cécile Hummel
2 Creditsmae-vkp-209.20F.001


Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.20F.001


Christoph Merki
2 CreditsDMU-WKMA-2006.20F.001


Referate verschiedener Fachexpertinnen und Fachexperten
1 CreditBDE-BDE-T-HV-4000.20F.001


Dieter Ringli
2 CreditsDMU-WKMA-2004.20F.001


Sylvia Sobottka (SySo)
3 CreditsBTH-VDR-L-3011.20F.001


Astrid Schenka (AS)
3 CreditsFTH-BTH-VDR-L-316.20F.001_WF_(MTH/BTH)


Prof.Dr. Mira Sack (MS), NN
2 CreditsBTH-VTP-L-505.20F.001_WF


Sylvia Sobottka (SySo)
4 CreditsBTH-BTH-L-0020.20F.002_WF


Andreas Bürgisser (ABü), Christopher Kriese (CKri)
4 CreditsBTH-VTP-L-5130.20F.001


Katharina Cromme (CK)
1 CreditFTH-BTH-BTH-L-636.20F.014_(MTH/BTH)


Domenico Ferrari
2 CreditsDMU-WKMT-6002.20F.002


Ulrike Meyer Stump
2 CreditsBDE-BDE-T-WP-4024.20F.001


Andrea Zimmermann
2 Creditsbae-bae-vt210-01.20F.001


Franziska Gohl
Adrian Frey
0.5 CreditsDMU-WKMP-4211.20F.001


Bruno Karrer
1 CreditDMU-WKAN-1207.20F.001


Burkhard Kinzler
1 CreditDMU-WKMA-2412.20F.001


Paola De Martin
2 CreditsBDE-BDE-T-WP-2019.20F.001


Natalia Ursina Sidler, Susanne Petersen Stv. ab 30.4.20
0 CreditsMMP-VSMU-SSII-KK15-1.20F.002


Franziska Gohl
Adrian Frey
0.5 CreditsDMU-WKMP-4210.20F.001


Elisabeth Angst FD Horn
Martin Sonderegger FD Klarinette
Fränzi Frick FD Violine
1.5 CreditsMMP-VIV-SKLA-PK08.20F.001


Anne-Sophie Wegmann
3 CreditsMKT-VTH-KE06.20F.001


Cyril Kennel
2 CreditsBDE-BDE-T-WP-4021.20F.001


Sigrid Adorf
2 Creditsmae-vkp-206.20F.001


Conradin Wolf
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Thomas Schärer, Christina Horisberger
1 Creditbae-bae-dt620-12.20F.001


Katrin Luchsinger, Susann Wintsch
2 Creditsbae-bae-dt220-01.20F.001


Andrea Zimmermann
2 Creditsbae-bae-vt630-01.20F.001


Basil Rogger
Njomza Dragusha
Irene Vögeli
2 CreditsMTR-MTR-1040.20F.004


Basil Rogger, Patrick Müller, Irene Vögeli
2 CreditsMTR-MTR-1040.20F.006


Rada Leu, Peter Tränkle, Claudio Bucher
2 CreditsMTR-MTR-1040.20F.008


Thomas Peter
1.5 CreditsDMU-WKMT-6101.20F.001


Lukasz Polowczyk (extern)
0.5 CreditsDMU-WKMP-4502.20F.001


Corina Zuberbühler und Stefano Vannotti
1 CreditBDE-BDE-T-HV-2000.20F.001


Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
0.5 CreditsMFI-VDF2p4p.BFI.20F.001


Martina Bovet
1.5 CreditsMMP-VIV-PK05.20F.001


Andreas Zihler
1.5 CreditsMMP-VIV-PK05.20F.002


Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.20F.003


M. Bader, S. Soydan, D. Thorner
2 CreditsBMU-VKLA-MOKF-09.20F.001


Prof. Dr. Jörn Peter Hiekel
2 CreditsDMU-WKFK-8004.20F.002


Cécile Hummel
1 Creditmae-mae-106.20F.001


Ruedi Widmer
4 Creditsmae-mtr-201.20F.001


Ruedi Widmer
2 Creditsmae-vpu-203.20F.004


Eirini Sourgiadaki, Fabian Gutscher
1 CreditMTR-MTR-1019.20F.001


Beat Schäfer
2 CreditsMPE-VKM-KE21.20F.001


Patrick Müller, Basil Rogger, Irene Vögeli
2 CreditsMTR-MTR-1002.20F.001


Delphine Chapuis Schmitz, Katja Gläss, Irene Vögeli
2 CreditsMTR-MTR-1002.20F.002


Barbara Naegelin
Basil Rogger
2 CreditsMTR-MTR-1002.20F.003


Patrick Müller, Soenke Gau
2 CreditsMTR-MTR-1002.20F.004


Jana Thierfelder, Irene Vögeli
2 CreditsMTR-MTR-1002.20F.005


Natalia Ursina Sidler, Charlotte Hug
1 CreditDMU-WKFK-8008.20F.005


Bernadette Kolonko
1 CreditBFI-FIPD-THp-01.MFI.20F.003


Bernhard Lehner
1 CreditBFI-FIPD-THp-01.MFI.20F.002


Johannes Schild
3 CreditsBMU-PKLA-MOMA-05.20F.003


André Fischer
3 CreditsBMU-PKLA-MOMA-05.20F.006


Lars Heusser
3 CreditsBMU-PKLA-MOMA-05.20F.001


Anne-Sophie Lahrmann
3 CreditsBMU-PKLA-MOMA-05.20F.010


Kaspar Ewald
3 CreditsBMU-PKLA-MOMA-05.20F.004


Angelika Eva Moths
3 CreditsBMU-PKLA-MOMA-05.20F.008


Gerald Raunig
3 CreditsBFA-BFA-Th.20F.017


Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.20F.001


Prof. Dr. Jörn Peter Hiekel
1 CreditDMU-WKAN-1208.20F.001


Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.20F.001


Christoph Merki
2 CreditsBMU-VKLA-MOMA-03.20F.004
Theory: Art & AI. How machines think (and see) II (gLV) 


Wird auch angeboten für
Nummer und Typ | BFA-BFA-Th.20F.014 / Moduldurchführung |
---|---|
Modul | Theorie |
Veranstalter | Departement Fine Arts |
Leitung | Felix Stalder |
Anzahl Teilnehmende | maximal 17 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Lehrform | Seminar |
Zielgruppen | Open for exchange students Interested students of other study programmes can contact studium.dkm@zhdk.ch and will be informed at the end of calendar week 06 about possible participation. |
Lernziele / Kompetenzen | The ability to critically engage with the topic of artificial intelligence from a theoretical perspective and knowledge of contemporary artistic approaches to AI, particularly image recognition. |
Inhalte | Artificial intelligence (AI) is all around us, transforming the way we see the world and the world sees us. Sometimes, we barely notice, sometimes, the results of AI can be very impressive, though sometimes so impressively bad that Hito Steyerl and others started to talk about “Artificial Stupidity”. But almost always, the actual procedures of AI remain mysterious, locked away in a black box. In this module, we will look at a recent wave of artistic and theoretical work that tries to open this black box, creating a language and esthetics for critical engagement. In particular, we will look at image recognition AI which the artist Trevor Paglen calls “predatory vision” and the data scientist Joy Buolamwini calls the “coded gaze”, referring to gender and racial biases in these systems. We will also use some web-based image recognition services to get a first-hand impression of the capacities of these technologies as tools for artistic investigation. Felix Stalder is a professor for Digital Culture in the BA Fine Arts. His work focuses on the intersections of cultural, political and technological dynamics, in particular on new modes of common-based production, control society, copyright and transformation of subjectivity. He not only works as an academic, but also as a cultural producer, being a moderator of the mailing list <nettime> and a member of the World Information Institute as well as the Technopolitics Working Group (both in Vienna). Among his recent publications are “Digital Solidarity” (PML & Mute 2014) and “The Digital Condition” (Polity Press, 2018). → https://fs.zhdk.ch felix.openflows.com |
Bibliographie / Literatur | An extensive bibliography and list of works will be provided at the beginning of the course. To get a deeper sense of the focus of the module, please check these two references beforehand. Stalder, F. (2019). The Deepest of Black. AI as Social Power. In S. Himmelsbach & B. Magrini (Eds.), Entangled Realities Living with Artificial Intelligence/ Leben mit künstlicher Intelligenz (pp. 125–147). Christoph Merian Verlag. Available online: felix.openflows.com/node/539 Joy Buolamwini, AI, Ain't I A Woman?, Spoken Word Piece, 3:32, 2018 https://www.youtube.com/watch?v=QxuyfWoVV98 |
Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation, short essay. |
Termine | Time: 09:15 - 17:00 o'clock CW 17: 20 / 21 / 22 / 23 / 24 April |
Bewertungsform | bestanden / nicht bestanden |