Pool 1: From Tiziano to Preciado, Venice Biennale 2019 (06–13 October 2019) Donatella Laura Ada Bernardi, Nicola Genovese, Pascal Sidler
3 CreditsMAF-MAF-Po00.19H.001
Pool 12: Venice Biennale 2019 (01–06 September 2019) Swetlana Heger-Davis, Nina Kerschbaumer
3 CreditsMAF-MAF-Po00.19H.012
Pool 2: Inspiration/Appropriation/Theft (Learning from Copying and Questioning) Swetlana Heger-Davis
3 CreditsMAF-MAF-Po00.19H.002
Pool 4: Zwischen Kunst und Film | Between Art and Film Nina Kerschbaumer, Aurèle Ferrier
3 CreditsMAF-MAF-Po00.19H.004
Pool 6: October School 2019 Mexico City Christoph Schenker, Franz Krähenbühl
6 CreditsMAF-MAF-Po00.19H.006
Pool 8: “OK, they’re looking at me. But I’m looking at them.” Yvonne Wilhelm
3 CreditsMAF-MAF-Po00.19H.008
Pool 9: Untimely Topical, Gustav Metzger Laura von Niederhäusern, Mathieu Copeland
3 CreditsMAF-MAF-Po00.19H.009
Praxis 1: Display Donatella Laura Ada Bernardi, Marie-France Rafael, Pascal Sidler
21 CreditsMAF-MAF-Pr00.19H.001
Praxis 3: Die Wiederholungsstrategie als Arbeitspraxis Dominique Lämmli, Nina Kerschbaumer
21 CreditsMAF-MAF-Pr00.19H.003
Praxis 5: Questions, or Everything You’ve Always Wanted to Ask About Your Practice! Erik Steinbrecher, Elodie Pong
21 CreditsMAF-MAF-Pr00.19H.005
Praxis 6: Imaginaries in Transition: Aesthetics, Desires and Politics Yvonne Wilhelm, Quinn Latimer
21 CreditsMAF-MAF-Pr00.19H.006
Pool 2: Inspiration/Appropriation/Theft (Learning from Copying and Questioning) 
This course is a hands-on practice-based workshop accompanied by lectures that will explore and mine an existing historical or present-day database. This can be from the library as hardcopy, artifacts, digital sources, personal or found materials. Combining the materials and copying and appropriating them, the students will then reintegrate and subtly introduce their own voice and meaning into their collected archives. Finally, each student will present their factual, yet fictional "archive/collection" for a final presentation.
| Nummer und Typ | MAF-MAF-Po00.19H.002 / Moduldurchführung |
|---|---|
| Modul | Pool |
| Veranstalter | Departement Fine Arts |
| Leitung | Swetlana Heger-Davis |
| Zeit | |
| Anzahl Teilnehmende | maximal 12 |
| ECTS | 3 Credits |
| Voraussetzungen | Course language: English |
| Lehrform | Pool-Seminar Group and individual tutorials, study visits to museums/institutions |
| Zielgruppen | MFA students |
| Lernziele / Kompetenzen |
|
| Inhalte |
This course includes a visit to Cabaret Voltaire. About the teacher: Swetlana Heger is a visual artist, professor in Fine Arts and director of the department Art & Media at ZHdK. In her artistic work, she has an ongoing interest in the act of contextualization and dislocation. She is exploring the questions about conditions of an art production including discussion about multiple authorships and relevant possibilities of collaborations between the arts and other partners. Various international solo and group exhibitions i.e.: Musée des Beaux Arts/Nancy, Le Consortium/Dijon, Vienna Secession, Melbourne Biennale, Berlin Biennale, Centre Georges Pompidou/Paris, Arts Space/New York, Centre National de la Photographie/Paris, Moderna Museet/Stockholm, Hamburger Bahnhof/Berlin, manifesta11, Zürich, Antarctic Pavilion/57. Venice Biennale. Her art works are represented in private and public collections and had been reviewed and published in international publications as Artforum, Flash Art, Frieze, Art Now, Spike, Monopol, Süddeutsche Zeitung, Der Spiegel, Princeton University Press, Les presses du réel, Edition Flammarion, Walther König etc. |
| Leistungsnachweis / Testatanforderung |
|
| Termine | Time: 09:00 - 17:00 o'clock 9 / 10 / 11 / 12 / 13 December |
| Bewertungsform | bestanden / nicht bestanden |
