Pool 1: From Tiziano to Preciado, Venice Biennale 2019 (06–13 October 2019)
Donatella Laura Ada Bernardi, Nicola Genovese, Pascal Sidler
3 CreditsMAF-MAF-Po00.19H.001
Pool 12: Venice Biennale 2019 (01–06 September 2019)
Swetlana Heger-Davis, Nina Kerschbaumer
3 CreditsMAF-MAF-Po00.19H.012
Pool 2: Inspiration/Appropriation/Theft (Learning from Copying and Questioning)
Swetlana Heger-Davis
3 CreditsMAF-MAF-Po00.19H.002
Pool 4: Zwischen Kunst und Film | Between Art and Film
Nina Kerschbaumer, Aurèle Ferrier
3 CreditsMAF-MAF-Po00.19H.004
Pool 6: October School 2019 Mexico City
Christoph Schenker, Franz Krähenbühl
6 CreditsMAF-MAF-Po00.19H.006
Pool 8: “OK, they’re looking at me. But I’m looking at them.”
Yvonne Wilhelm
3 CreditsMAF-MAF-Po00.19H.008
Pool 9: Untimely Topical, Gustav Metzger
Laura von Niederhäusern, Mathieu Copeland
3 CreditsMAF-MAF-Po00.19H.009
Praxis 1: Display
Donatella Laura Ada Bernardi, Marie-France Rafael, Pascal Sidler
21 CreditsMAF-MAF-Pr00.19H.001
Praxis 3: Die Wiederholungsstrategie als Arbeitspraxis
Dominique Lämmli, Nina Kerschbaumer
21 CreditsMAF-MAF-Pr00.19H.003
Praxis 5: Questions, or Everything You’ve Always Wanted to Ask About Your Practice!
Erik Steinbrecher, Elodie Pong
21 CreditsMAF-MAF-Pr00.19H.005
Praxis 6: Imaginaries in Transition: Aesthetics, Desires and Politics
Yvonne Wilhelm, Quinn Latimer
21 CreditsMAF-MAF-Pr00.19H.006
Praxis 2: Warping Fictions
This praxis seminar will provide a framework for artistic practices dealing with and questioning speculative fictions and (ethno) futurisms, addressing the posthuman and subjectless forms of reproduction, looking for poetic relations inside this techno-society, for ways of actualising fantasies, outlining outlandish social satires and forms of seduction for the space-squids who will come for this planet eventually.
Nummer und Typ | MAF-MAF-Pr00.19H.002 / Moduldurchführung |
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Modul | Ästhetische Praxis |
Veranstalter | Departement Fine Arts |
Leitung | Christian Hübler, Leila Peacock |
Anzahl Teilnehmende | maximal 13 |
ECTS | 21 Credits |
Voraussetzungen | Course language: English |
Lehrform | Praxis-Seminar |
Zielgruppen | MFA students |
Lernziele / Kompetenzen | In this praxis seminar, we will explore the potential of SF in contemporary artistic and discoursive practice, as well as in the specific practices and projects of the participating students. |
Inhalte | What is our relationship to the multiple dimensions of the present? A present where human subjectivities become dispersed through multiple forms of technological extensions, where digital realms and artificial intelligences access bodies and environments. Can SF (sci-fi/speculative fabulation/etc.) with its metaphysical speculation, utopic quests, pulp-fiction retro-visions, fictional presents or prophetic forecasts offer an insight, as a genre where words, categories, gender and time itself bends? Can it be harnessed to express new perspectives on life and perhaps even be a means of liberating desire from its social norms and codings? Can SF be considered as a means of exploring uses and forms of the fictional to actualise the present? Can it articulate a potential for change beyond modernist notions of progress and romantic projections into distant futures? Can it be used as a means of imagining radical new subjectivities? About the teachers: Christian Huebler, part of the artist duo knowbotiq, has been experimenting with forms and medialities of knowledge, political representations and epistemic disobedience. In recent projects knowbotiq are investigating and enacting inhuman geographies with the focus on algorithmic governmentalities, libidinous economies and postcolonial violence. In various installations, urban inventions and performative settings knowbotiq are exploring molecular, psychotrope and derivative aesthetics. knowbotiq.net Leila Peacock is an artist and writer from the UK. She holds Masters degrees in both Literature and Fine Arts and her work is concerned with the intersection between the two. She is the winner of the forthcoming Kunst am Bau project for the Schulhaus Freilager (2019). She was a recipient of the Kadist Production Award (2016) and the Werkstipendium from the Stadt Zürich (2016) and the Binz39 Atelierstipendium (2015-17). Her essays have been published in The Bulletin of the Serving Library, The White Review, Camenzind and the Fabrikzeitung. |
Bibliographie / Literatur | A reader will be provided before the course starts with extracts from the following:
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Leistungsnachweis / Testatanforderung |
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Termine | Time: 10:00 - 18:00 o'clock 30 September 21 November 2 / 16 / 17 December |
Bewertungsform | bestanden / nicht bestanden |