Pool 1: From Tiziano to Preciado, Venice Biennale 2019 (06–13 October 2019)
Donatella Laura Ada Bernardi, Nicola Genovese, Pascal Sidler
3 CreditsMAF-MAF-Po00.19H.001
Pool 12: Venice Biennale 2019 (01–06 September 2019)
Swetlana Heger-Davis, Nina Kerschbaumer
3 CreditsMAF-MAF-Po00.19H.012
Pool 2: Inspiration/Appropriation/Theft (Learning from Copying and Questioning)
Swetlana Heger-Davis
3 CreditsMAF-MAF-Po00.19H.002
Pool 4: Zwischen Kunst und Film | Between Art and Film
Nina Kerschbaumer, Aurèle Ferrier
3 CreditsMAF-MAF-Po00.19H.004
Pool 6: October School 2019 Mexico City
Christoph Schenker, Franz Krähenbühl
6 CreditsMAF-MAF-Po00.19H.006
Pool 8: “OK, they’re looking at me. But I’m looking at them.”
Yvonne Wilhelm
3 CreditsMAF-MAF-Po00.19H.008
Pool 9: Untimely Topical, Gustav Metzger
Laura von Niederhäusern, Mathieu Copeland
3 CreditsMAF-MAF-Po00.19H.009
Praxis 1: Display
Donatella Laura Ada Bernardi, Marie-France Rafael, Pascal Sidler
21 CreditsMAF-MAF-Pr00.19H.001
Praxis 3: Die Wiederholungsstrategie als Arbeitspraxis
Dominique Lämmli, Nina Kerschbaumer
21 CreditsMAF-MAF-Pr00.19H.003
Praxis 5: Questions, or Everything You’ve Always Wanted to Ask About Your Practice!
Erik Steinbrecher, Elodie Pong
21 CreditsMAF-MAF-Pr00.19H.005
Praxis 6: Imaginaries in Transition: Aesthetics, Desires and Politics
Yvonne Wilhelm, Quinn Latimer
21 CreditsMAF-MAF-Pr00.19H.006
Master-Symposium: Copy Paste & Rights
Nummer und Typ | MAF-MAF-Sy00.19H.001 / Moduldurchführung |
---|---|
Modul | Pool |
Veranstalter | Departement Fine Arts |
Leitung | Dominique Lämmli |
Zeit | |
Anzahl Teilnehmende | maximal 70 |
ECTS | 3 Credits |
Voraussetzungen | Course language: English |
Lehrform | Master-Symposium Presentations and discussions |
Zielgruppen | MFA students |
Lernziele / Kompetenzen | Know about one's rights, be aware of the grey zones, be familiar with the various creative commons licences. |
Inhalte | Someone else sells my work! Are you taken to court for using found footage? Are you distributing your work through open acess channels? How to assert copyright in the youtube age? How to use material and ideas in a copyright bound environment? Do artists have to hide their inspirations? This symposium addresses:
Selected students will be trained in advance to take up the moderator roles throughout the symposium. The two-day preparational crash course (dates will follow) on moderation and messaging skills will be open for other MFA students. |
Bibliographie / Literatur | https://paul.zhdk.ch/course/view.php?id=514 |
Leistungsnachweis / Testatanforderung | 100 % attendance time, Symposium report |
Termine | 18 November, 17:00 - 20:30 o'clock 19 November, 10:00 - 20:30 o'clock 20 November, 10:00 - 18:00 o'clock |
Bewertungsform | bestanden / nicht bestanden |
Bemerkung | Preparatory work till 26 October: all participants are expected to read/view 10 selected papers/videos from the reference list (https://paul.zhdk.ch/course/view.php?id=514). Based on these readings/viewings, each participant formulates 5 questions that she*he would like to have answered by the end of the symposium. Submit your questions on https://paul.zhdk.ch/course/view.php?id=514, section: OUR QUESTIONS. Deadline: 26 October. |