ATD / "Dramaturgy of Physical Theatre" Leitung: Corinna Vitale
Dozierende: Pavel Stourac, Direktor des Continuo-Theaters (Tschechien)
4 CreditsMTH-MTH-WPM-04.19F.001
ATD / "Tools for a creative use of voice in Physical Theatre" Leitung: Corinna Vitale
Dozierende: Raissa Avilès
2 CreditsMTH-MTH-WPM-02.19F.014
ATD / “The weight of Earth” – “Il peso del mondo” Leitung: Corinna Vitale
Dozierende: Federico Dimitri (Performer, künstlerischer Leiter, Choreograph) und Elisa Canessa (Performerin, künstlerische Leiterin, Choreographin), Mitglieder der Compagnia Dimitri / Canessa
www.dimitricanessa.com
8 CreditsMTH-MTH-WPM-08.19F.001
ATD / CMW "Tagebuchzeichnungen Leitung: Corinna Vitale
Dozierender: Nando Snozzi
2 CreditsMTH-MTH-WPM-02.19F.013
HETSR / "Approche d’un regard critique" Responsable: Robert Cantarella
Enseignant: Patrick Sourd
2 CreditsMTH-MTH-WPM-02.19F.018
HETSR / "De la BD à l’écriture de plateau Une approche du jeu de l’acteur par l’espace : une interrogation sur la dramaturgie" Responsable: Robert Cantarella
Enseignant: Béatrice Houplain
2 CreditsMTH-MTH-WPM-02.19F.017
HETSR / "Introduction au découpage cinématographique" Responsable: Robert Cantarella
Enseignant: Amine Berrada
1 CreditMTH-MTH-WPM-01.19F.002
HETSR / "La lumière en soi" Responsable: Robert Cantarella
Enseignant: Philippe Gladieux
2 CreditsMTH-MTH-WPM-02.19F.016
HETSR / "Quelque chose <--> quelqu’un" Responsable:Robert Cantarella
Enseignant: Guillaume Béguin
3 CreditsMTH-MTH-WPM-03.19F.001
HETSR / CMW "La liberté est-elle interdite?" Responsable: Robert Cantarelle
Enseignant: Yves-Noël Genod
1 CreditMTH-MTH-WPM-01.19F.003
HETSR / CW "Mental Maps" Responsable: Robert Cantarelle
Enseignant: Agnès Perreten, Ulrich Fischer
2 CreditsMTH-MTH-WPM-02.19F.019
HETSR / Theory Slot "Représentations dramatiques et torsions dramaturgiques" Responsable: Robert Cantarella
Enseignant: Camille Louis
1 CreditMTH-MTH-WPM-01.19F.004
HKB / "„Make Art Great Again!“ Experimente mit künstlerischer Selbstwirksamkeit" Leitung: Y-Institut, Thomas Gartmann, Barbara Balba Weber (Dozentin HKB, Musikvermittlerin)
Gäste: Ruth Schweikert (Literatin), Graziella Contratto (Dirigentin), Jacqueline Baum (Kunstvermittlerin), Florian Reichert (Bühnenkünstler)
2 CreditsMTH-MTH-WPM-02.19F.012
HKB / "ACT Performance Festival" Leitung: Master CAP
Tutor: Valerian Maly, Dorothea Schürch & Gäste
2 CreditsMTH-MTH-WPM-02.19F.008
HKB / "Archive, Documents, Affects" Leitung: Wolfram Heberle
Dozierende: Giulia Palladini
2 CreditsMTH-MTH-WPM-02.19F.006
HKB / "Autorschaft – Autorität?" Leitung: Y-Institut, Thomas Gartmann, Leo Dick (Komponist)
Dozierende: Johanne Mohs (Literatur), Mira Kandathil (Theater), Tom Arturs (Jazz), Immanuel Brockhaus (Pop), Xavier Dayer (Komponist und SUISA-Präsident)
2 CreditsMTH-MTH-WPM-02.19F.011
HKB / "Backstage: Meet the Artists" Leitung: Wolfram Heberle
Dozierende: M.A. Maren Rieger (Dramaturgin, Dozentin HKB)
2 CreditsMTH-MTH-WPM-02.19F.005
HKB / "Crashkurs Project Management" Leitung: CAP - HKB
Dozierender: Wolfram Heberle
2 CreditsMTH-MTH-WPM-02.19F.003
HKB / "Forschungs-Mittwoch" Leitung: Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-WPM-01.19F.001
HKB / "Fragezeichen. Was ist eine gute Frage?" Leitung: Y-Institut
Dozierende: Tine Melzer (Dozentin CAP) und Gäste
2 CreditsMTH-MTH-WPM-02.19F.009
HKB / "It’s the Real Thing! – Besuch der Basler Dokumentartage 19" Leitung und Dozierende: Sibylle Heim
2 CreditsMTH-MTH-WPM-02.19F.004
HKB / "Lab" Leitung: Florian Reichert, Sibylle Heim und Mentoren (nach Absprache)
5 CreditsMTH-MTH-WPM-05.19F.003
HKB / "Stimmperformance" Leitung: Wolfram Heberle
Dozierende: Franziska Baumann, Sängerin, Improvisatorin-Komponistin
2 CreditsMTH-MTH-WPM-02.19F.002
HKB / "Theater knutscht Computerspiel: Dramaturgie und Gamedesign im Gametheater" Leitung: Wolfram Heberle
Dozierende: Mathias Prinz, Yves Regenass (machina eX)
5 CreditsMTH-MTH-WPM-05.19F.001
HKB / "Überwinde Dich! (Selbst-) Optimierung des Freien Theaters. Akademie im Rahmen des Impulse Theater Festivals" Dozierende: Verschiedene Gäste
2 CreditsMTH-MTH-WPM-02.19F.007
HKB / "Wissenschaftliches Schreiben" Leitung: Y-Institut
Dozierende: Thomas Strässle (Y) Gäste: Corina Caduff (Vizerektorin Forschung BFH)
2 CreditsMTH-MTH-WPM-02.19F.010
HKB / Theory Slot "TEXT ARBEITSWEISEN – KREATION" Leitung: Wofram Heberle
Dozierende: Luci Tuma
2 CreditsMTH-MTH-WPM-02.19F.001
HKB / "Archive, Documents, Affects" 
Kursangebot der Partnerschulen (STD, HKB, HETSR)
Wird auch angeboten für
| Nummer und Typ | MTH-MTH-WPM-02.19F.006 / Moduldurchführung |
|---|---|
| Modul | Master-Campus-Theater-CH 02 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Leitung: Wolfram Heberle Dozierende: Giulia Palladini |
| Zeit | Di 14. Mai 2019 bis Fr 17. Mai 2019 / 10:15–17:15 Uhr |
| Ort | Bern |
| Anzahl Teilnehmende | 5 - 15 |
| ECTS | 2 Credits |
| Zielgruppen | Alle |
| Inhalte | The seminar will explore the relation between archive and affects. We shall engage in theory and practice with the experience of finding, creating, remembering or imagining an archive. Such an “archive” may be preexisting, institutional, public, private, or still in the making, wished-for, bordering perhaps on the imaginary and the impossible. Students will have the chance to think and experiment with questions of documentation, with reference to both to their own working process, and different repertoires of documents and traces they engage with in their work. |
| Termine | 14.-17.05.2019 |
| Dauer | 10.15-17.15 Uhr |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Deutsch |
| Bemerkung | Giulia Palladini is a Senior Lecturer in Drama, Theatre and Performance at the University of Roehampton (UK). She was an Alexander von Humboldt fellow at the University of Erfurt, and has taught in various international institutions, such as the Kunsthochschule Berlin-Weißensee, the Universidad Nacional de Colombia in Bogotá and SNDO (School for New Dance Development) in Amsterdam. Her research interests include theatre history and critical theory, performance work and free time, archives, and materialist theories of artistic production. Her texts appeared in several international journals, and she has collaborated as a theorist in a number of critical and artistic projects. Selected publications: The Scene of Foreplay: Theater, Labor and Leisure in 1960s New York (Evanston: Northwestern University Press 2017), Lexicon for an Affective Archive (Bristol: Intellect, 2017, co-editor with Marco Pustianaz). |
