Master-Symposium: Molekulare Ästhetiken / Molecular Aesthetics Johanna Bruckner, Yvonne Wilhelm
3 CreditsMAF-MAF-Sy00.19F.001
Pool 3: Artistic Research – In Practice and in Theory Members of PhD research group: Kamran Behrouz, Sasha Huber, Xenia Kalpaktsoglou, Eirini Sourgiadaki, Laura von Niederhäusern, Julia Weber, Kai Ziegner
3 CreditsMAF-MAF-Po00.19F.003
Pool 6: Post-Blockchain: Art and the Politics of Entanglement Johanna Bruckner
3 CreditsMAF-MAF-Po00.19F.006
Praxis 1: Embodiment Donatella Laura Ada Bernardi, Rory Rowan, Philip Matesic
21 CreditsMAF-MAF-Pr00.19F.001
Praxis 2: Our monstrosities - complication and poetry Yvonne Wilhelm, Christian Hübler, Gerald Raunig, Johanna Bruckner
21 CreditsMAF-MAF-Pr00.19F.002
Praxis 3: Small projects for the coming communities Dominique Lämmli, Dorothee Richter
21 CreditsMAF-MAF-Pr00.19F.003
Student Study Groups 3 CreditsMAF-MAF-Sg00.19F.001
Student Study Groups 3 CreditsMAF-MAF-Sg00.19F.002
Pool 4: (Un)curate! 
The relationship to curators and curatorial discourse.
| Nummer und Typ | MAF-MAF-Po00.19F.004 / Moduldurchführung |
|---|---|
| Modul | Pool |
| Veranstalter | Departement Fine Arts |
| Leitung | Elise Lammer |
| Anzahl Teilnehmende | maximal 40 |
| ECTS | 3 Credits |
| Lehrform | Workshop, group discussions, exhibition visits, guided tours. |
| Lernziele / Kompetenzen | At the end of the seminar, the students will be able to contextualize their work within different artistic, social and political frameworks. By ways of exhibition visits, guided tours and group discussions, the goal is to acquire hands-on knowledge of the various typologies in which artists can be led to exhibit and produce their work today in relationship with a curator; from art prizes, to residency programmes, non-for-profit spaces and private institutions, etc. |
| Inhalte | Over the last 15 years, the figure of the curator has greatly gained importance in the art world. Historically a very old profession, one that once consisted in conserving, archiving and caring for artefacts and the knowledge thereof, contemporary curating has now changed the way we think about art and what exhibiting it entails. The 'curatorial' now includes a network of knowledge and strategies that operate way beyond the realm of art, and such term has been steadily leaking into widespread popular and sometimes commercial language. Conducted in groups, this practice-led research focuses on the role of curating in contemporary artistic practices. The seminar attempts to trace a recent history of exhibitions from the perspective of artists' relationships with curators, with the goal to better negotiate, or negate, this new paradigm. Elise Lammer (born in Lausanne, Switzerland, lives and works in Basel and Berlin) was trained as a fine artist in Barcelona and holds an MFA in Curating from Goldsmiths College, London. She is curator at Kunstverein SALTS in Basel, and the founder of Alpina Huus, a research platform exploring performance and domestic space. She is a guest Lecturer at HEAD, Haute Ecole d’Art et de Design (Geneva) and Institut Kunst | FHNW (Basel). As an artist, curator and writer, she has participated in exhibitions in institutions and galleries internationally, including Garage Museum of Contemporary Art (Moscow); Istituto Svizzero di Roma (Rome); MAMCO (Geneva); The Schinkel Pavillon (Berlin); The Goethe Institut (Beijing, Hong Kong); MCBA (Lausanne) among others. She is a contributor of Spike Magazine and Mousse Magazine. |
| Bibliographie / Literatur | Heidenreich, Stefan, 'Schafft die Kuratoren ab!' Die Zeit, 21.06.2017 O'Doherty, Brian, 'Inside the White Cube: The Ideology of the Gallery Space.' Berkeley: University of California Press, 1999 Schubert, Karsten, 'The Curator's Egg: The Evolution of the Museum Concept from the French Revolution to the Present Day.' Manchester: Cornerhouse Publication, 2000 |
| Leistungsnachweis / Testatanforderung | 80 % attendance |
| Termine | Time: 09:00 - 17:00 o'clock 08 / 13 / 25 March 17 May |
| Bewertungsform | bestanden / nicht bestanden |
