Technologie Grundstudium: Einführung Fototechnik Conradin Frei, Jyrgen Ueberschär
3 CreditsBKM-BKM-Te.19F.001
Technologie: Digitaler Animismus - Belebte Objekte Adrian Demleitner Polonyi
3 CreditsBKM-BKM-Te.19F.019
Technologie: Kunstumsetzung – von der Skizze zur Produktion und Dokumentation Monika Schori
3 CreditsBKM-BKM-Te.19F.013
Technologie: Licht formen und Lichtformen VI (Objekte & Mensch im Raum, Fotografie) David Willen, Tania Willen
3 CreditsBKM-BKM-Te.19F.008
Technologie: Pneuma & Pragma. Technologie trifft Theorie Jörg Scheller, Benedikt Hipp
3 CreditsBKM-BKM-Te.19F.014
Technologie: Räumlichkeit und Materialität – eigenes Arbeiten in der Holzwerkstatt Roman Gysin
3 CreditsBKM-BKM-Te.19F.002
Technology: Front and Center - Soundtrack as Lead Character William Davis
3 CreditsBKM-BKM-Te.19F.012
Technology: Front and Center - Soundtrack as Lead Character 
The course will explore the often neglected relationship between film and soundtrack.
The week will be in two parts:
A seminar portion, viewing historical samples from the archive; followed by a practical workshop where participants will work together in creating/generating sound for motion image.
The week will be in two parts:
A seminar portion, viewing historical samples from the archive; followed by a practical workshop where participants will work together in creating/generating sound for motion image.
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| Nummer und Typ | BKM-BKM-Te.19F.012 / Moduldurchführung |
|---|---|
| Modul | Technologie |
| Veranstalter | Departement Fine Arts |
| Leitung | William Davis |
| Anzahl Teilnehmende | maximal 14 |
| ECTS | 3 Credits |
| Voraussetzungen | Participants interested in attending should have a basic knowledge of video/sound Editing. |
| Lehrform | Workshop and seminar |
| Inhalte | A movie is incomplete without a good soundtrack. That being said, some soundtracks surpass the original film and often are considered as being so significant in their presentation, they are considered as artworks of their own, independent of the movie. 1) In which films have soundtracks been underrated due to the movie itself not standing out or being underrated? 2) Can renditions be counted as a part of a soundtrack of films? This question is made relevant when one considers some movies, which have different presentations and interpretations of originals, such as the Laura Del Ray version of "Blue Velvet", or "Singing in the Rain" as used by Malcolm McDowell in "A Clockwork Orange". Billy Davis is a composer, recording artist, music producer and founder of workhorsesong studio in Berlin. Recently, he has started to work with the Richard Thomas Foundation (London/Berlin), developing artists’ projects related to music, sound and performance. Currently, he is a guest teacher in Video and Sound at Umea Academy of Fine Arts, Umea, Sweden. |
| Leistungsnachweis / Testatanforderung | Mandatory attendance (minimum 80%); active participation |
| Termine | Block Week 3: 06 - 10 May Time: 09:00 - 17:00 o'clock |
| Bewertungsform | bestanden / nicht bestanden |
