Pool II: October School Delhi 2018
Franz Krähenbühl, Christoph Schenker, Nils Röller, Donatella Bernardi
6 CreditsMAF-MAF-Po00.18H.002
Pool IV: Backyard Notes – Massnahmen gegen die Verblödung
Claudia Kübler, Armin Chodzinski
3 CreditsMAF-MAF-Po00.18H.004
Pool IX: Schreibwerkstatt - Techniken und Technologien des Schreibens
Tyna Fritschy
3 CreditsMAF-MAF-Po00.18H.009
Pool VIII: Different Every Time
Claudia Kübler, Laura von Niederhäusern
3 CreditsMAF-MAF-Po00.18H.008
Pool X: Those Inventions Which Belong to Literature While Deforming its Limits.
Leila Peacock
3 CreditsMAF-MAF-Po00.18H.010
Pool XII: Manifesta 12: Palermo
Donatella Laura Ada Bernardi, Uriel Orlow
3 CreditsMAF-MAF-Po00.18H.012
Pool XIII: Dark Assemblages / Translocal Practices
Christian Hübler, Margarida Mendes
3 CreditsMAF-MAF-Po00.18H.013
Praxis 1: Embodiment
Donatella Bernardi, Elodie Pong, Rory Rowan, Philip Matesic
21 CreditsMAF-MAF-Pr00.18H.001
Praxis 2: our? monstrosities - complication and poetry
Yvonne Wilhelm, Christian Huebler, Gerald Raunig, Johanna Bruckner
21 CreditsMAF-MAF-Pr00.18H.002
Praxis 3: Small projects for the coming communities
Dominique Lämmli, Dorothee Richter
21 CreditsMAF-MAF-Pr00.18H.003
Student Study Groups
3 CreditsMAF-MAF-Sg00.18H.001
Student Study Groups
3 CreditsMAF-MAF-Sg00.18H.002
Pool X: Those Inventions Which Belong to Literature While Deforming its Limits.
Nummer und Typ | MAF-MAF-Po00.18H.010 / Moduldurchführung |
---|---|
Modul | Pool |
Veranstalter | Departement Fine Arts |
Leitung | Leila Peacock |
Anzahl Teilnehmende | maximal 12 |
ECTS | 3 Credits |
Lehrform | Seminar |
Zielgruppen | Students MFA |
Lernziele / Kompetenzen | We will meet four times over the semester for two-day sessions. These will be loosely themed under the following. Writing before writers Words of mouth Words as/and pictures The artist-poet and other hybrid creatures. |
Inhalte | This is a quotation from an interview with Jaques Derrida in 1989 entitled ‘This Strange Institution Called Literature’, published in a collection of his writings entitled Acts of Literature. Literature is all of these things, an act, a deformation of limits and a uniquely strange institution. We will use this interview as a departure point for a seminar on experimental writing practices; where literature crosses over into the remit of conceptual art, or where art practice crosses over into literature. For this we will look at a superabundance of writing practices and literary innovations. The idea is to make mention of many verbal works and how they function, amongst which will include the Egyptian Book of the Dead, Robert Fludd, Lucas Cranach, Jonathan Swift, James Hogg, Edward Lear, Adolf Wölfli, Jean Cocteau, Velemir Khlebnikov, Max Ernst, Samuel Beckett, Georges Perec and Guy De Cointet, Robert Smithson, Mary Ellen Solt, Robert Filliou, Dom Slyvester Houédard, Ruth Wolf-Rehfeldt, Tony Parker, Rammellzee, Grayson Perry, Etel Adnan, Chris Kraus, Anne Cotten, Nedko Solvakov, Jenny Holzer, Maggie Nelson, Claudia Rankine, Irena Haiduk, Seth Price, Angie Keefer, as well as the computer game Everything. We will look at resources for experimental writing, namely libraries and archives both physical and digital. We will visit some of the resources that Zürich has to offer: the ETH Graphische Sammlung, the Schweizerisches Institut für Kunstwissenschaft, the Kunsthaus Bibliotek, as well the singular institution that is the James Joyce Society. We will also look at what the internet has to offer, from Aaaaaarg.org to Monoskop to Ubuweb, Open Culture, the Public Domain Review and the Internet Archive. |
Bibliographie / Literatur | All material will be provided before, or in, each session. |
Leistungsnachweis / Testatanforderung | active participation; 80% presence time |
Termine | 18, - 19.Ok., 8.-9.Nov., 6.-7.Dez. 2018, 11./14.Jan. 2019, jeweils 10.00 bis 13.00 h |
Bewertungsform | bestanden / nicht bestanden |