Pool II: October School Delhi 2018
Franz Krähenbühl, Christoph Schenker, Nils Röller, Donatella Bernardi
6 CreditsMAF-MAF-Po00.18H.002
Pool IV: Backyard Notes – Massnahmen gegen die Verblödung
Claudia Kübler, Armin Chodzinski
3 CreditsMAF-MAF-Po00.18H.004
Pool IX: Schreibwerkstatt - Techniken und Technologien des Schreibens
Tyna Fritschy
3 CreditsMAF-MAF-Po00.18H.009
Pool VIII: Different Every Time
Claudia Kübler, Laura von Niederhäusern
3 CreditsMAF-MAF-Po00.18H.008
Pool X: Those Inventions Which Belong to Literature While Deforming its Limits.
Leila Peacock
3 CreditsMAF-MAF-Po00.18H.010
Pool XII: Manifesta 12: Palermo
Donatella Laura Ada Bernardi, Uriel Orlow
3 CreditsMAF-MAF-Po00.18H.012
Pool XIII: Dark Assemblages / Translocal Practices
Christian Hübler, Margarida Mendes
3 CreditsMAF-MAF-Po00.18H.013
Praxis 1: Embodiment
Donatella Bernardi, Elodie Pong, Rory Rowan, Philip Matesic
21 CreditsMAF-MAF-Pr00.18H.001
Praxis 2: our? monstrosities - complication and poetry
Yvonne Wilhelm, Christian Huebler, Gerald Raunig, Johanna Bruckner
21 CreditsMAF-MAF-Pr00.18H.002
Praxis 3: Small projects for the coming communities
Dominique Lämmli, Dorothee Richter
21 CreditsMAF-MAF-Pr00.18H.003
Student Study Groups
3 CreditsMAF-MAF-Sg00.18H.001
Student Study Groups
3 CreditsMAF-MAF-Sg00.18H.002
Praxis 2: our? monstrosities - complication and poetry
our? monstrosities - complication and poetry
Increasingly this post-digital society is pictured as an alien monstrosity, an insatiable thing that appropriates the energy of everything it touches and, in the process, propels the world toward the inorganic. But it is not only parasitic, eating and devastating the world and its souls. At the same moment it is a living monster that is fruitful, productive and multiplies. Whatever transformations it generates are just stages in its wild and monstrous digestive process.
Do we have answers? Should we better disentangle our acts of resistance from narratives of productivity and redemption? Should we stress and affirm exactly monstrosities not as outside, but as assemblages of humans, animals, things, as milieus, as surround? Should we return ourselves to these monstrosities and their unproductive potency, poetics of slowness, lazyness and dis/ability? More poetry than therapy, more complication than comfort. Lets listen to cacophony and noise - telling us that there is „a wild beyond to the structures we inhabit and that inhabit us”.
Increasingly this post-digital society is pictured as an alien monstrosity, an insatiable thing that appropriates the energy of everything it touches and, in the process, propels the world toward the inorganic. But it is not only parasitic, eating and devastating the world and its souls. At the same moment it is a living monster that is fruitful, productive and multiplies. Whatever transformations it generates are just stages in its wild and monstrous digestive process.
Do we have answers? Should we better disentangle our acts of resistance from narratives of productivity and redemption? Should we stress and affirm exactly monstrosities not as outside, but as assemblages of humans, animals, things, as milieus, as surround? Should we return ourselves to these monstrosities and their unproductive potency, poetics of slowness, lazyness and dis/ability? More poetry than therapy, more complication than comfort. Lets listen to cacophony and noise - telling us that there is „a wild beyond to the structures we inhabit and that inhabit us”.
Nummer und Typ | MAF-MAF-Pr00.18H.002 / Moduldurchführung |
---|---|
Modul | Ästhetische Praxis |
Veranstalter | Departement Fine Arts |
Leitung | Yvonne Wilhelm, Christian Huebler, Gerald Raunig, Johanna Bruckner |
Anzahl Teilnehmende | maximal 17 |
ECTS | 21 Credits |
Lehrform | During the 5 project days your own work, ideas, concepts will be put into relation to the topics of the praxis seminar in common discussions, stagings, performances and presentations. It is planned to hold the seminars on the 5 days in semi-public rooms of the city of Zurich (entrance halls, receptions, meeting rooms, etc.). Working in constellations with other particpants is desired, but not obligatory. |
Zielgruppen | Students MFA |
Bibliographie / Literatur | Materials (an updated list will be published before the start of the seminar): Fred Moten: Black and Blur; Barbara Creed: Monstrous Feminine and the Construction of Horror; Matthew Fuller/Olga Goriunova: Devastation; Armin Linke: Prospecting Oceans |
Leistungsnachweis / Testatanforderung | 80% active participation and attendence an own artistic or discursive contribution within the framework of the project |
Termine | 2. Okt., 19. Nov., 10. und 11. Dec., 2018, 16. Jan. 2019, from 10.00 to 17.00 h except: 19. Nov: 16.00-22.00 |
Bewertungsform | bestanden / nicht bestanden |