Pool II: October School Delhi 2018
Franz Krähenbühl, Christoph Schenker, Nils Röller, Donatella Bernardi
6 CreditsMAF-MAF-Po00.18H.002
Pool IV: Backyard Notes – Massnahmen gegen die Verblödung
Claudia Kübler, Armin Chodzinski
3 CreditsMAF-MAF-Po00.18H.004
Pool IX: Schreibwerkstatt - Techniken und Technologien des Schreibens
Tyna Fritschy
3 CreditsMAF-MAF-Po00.18H.009
Pool VIII: Different Every Time
Claudia Kübler, Laura von Niederhäusern
3 CreditsMAF-MAF-Po00.18H.008
Pool X: Those Inventions Which Belong to Literature While Deforming its Limits.
Leila Peacock
3 CreditsMAF-MAF-Po00.18H.010
Pool XII: Manifesta 12: Palermo
Donatella Laura Ada Bernardi, Uriel Orlow
3 CreditsMAF-MAF-Po00.18H.012
Pool XIII: Dark Assemblages / Translocal Practices
Christian Hübler, Margarida Mendes
3 CreditsMAF-MAF-Po00.18H.013
Praxis 1: Embodiment
Donatella Bernardi, Elodie Pong, Rory Rowan, Philip Matesic
21 CreditsMAF-MAF-Pr00.18H.001
Praxis 2: our? monstrosities - complication and poetry
Yvonne Wilhelm, Christian Huebler, Gerald Raunig, Johanna Bruckner
21 CreditsMAF-MAF-Pr00.18H.002
Praxis 3: Small projects for the coming communities
Dominique Lämmli, Dorothee Richter
21 CreditsMAF-MAF-Pr00.18H.003
Student Study Groups
3 CreditsMAF-MAF-Sg00.18H.001
Student Study Groups
3 CreditsMAF-MAF-Sg00.18H.002
Praxis 1: Embodiment
Nummer und Typ | MAF-MAF-Pr00.18H.001 / Moduldurchführung |
---|---|
Modul | Ästhetische Praxis |
Veranstalter | Departement Fine Arts |
Leitung | Donatella Bernardi, Elodie Pong, Rory Rowan, Philip Matesic |
Anzahl Teilnehmende | maximal 21 |
ECTS | 21 Credits |
Voraussetzungen | 80 % attendance and active participation |
Lehrform | Workshops, group discussions, excursions, presentations and critique |
Zielgruppen | Students MFA |
Inhalte | We use 'embodiment' as a loose theme to guide our group activities and discussions throughout the seminar and seek to explore the diverse ways in which questions of embodiment influence not only our own but other contemporary art practices. Embodiment is an essential quality shared by all human beings, yet through our bodies we are distinguished from one another both individually and through social difference. Sex, gender, race, age and ability are all registers of embodiments entanglement with social structures. We decide to actively manifest or perform our embodiment or we find strategies to reinvent our embodiments: to fake them, fictionalize them or reimagine them. Embodiment is where states of belonging and relating to others take place, but also where those of exclusion and segregation become palpable. We will engage our artistic practices through the lens of embodiment: how might artistic practices be shaped by and engage specific embodied experiences?; What does it mean to engage one's own sense of embodiment in and through artistic practice?; What is the relationship between embodiment and modes of representation, whether visual, material, or virtual? If embodiment implies being in process, how do artistic practices engage with these processes? Koki Tanaka’s exhibition at the Migros Museum für Gegenwartskunst will be visited and discussed on September 27th, during the first day of the seminar. |
Leistungsnachweis / Testatanforderung | active participation; 80% presence time |
Termine | 27. Sept., 18. Okt., 12. Nov., 6. und 13. Dez., jeweils 10.00 bis 17.00 h |
Bewertungsform | bestanden / nicht bestanden |