ATD / "Panel" (Seminar) Prof. Dr. Richard Weihe, Pavel Stourac, director of Continuo Theatre (Czech Republic) Corinna Vitale, Head of Master Studies ATD, Beth Harris, dancer and choreographer
2 CreditsMTH-MTH-ERK-PART-02.18H.003
ATD / "Practical and theoretical introduction to the Master Studies at the ATD" Prof. Dr. Richard Weihe, Pavel Stourac, Leiter des Continuo Theaters (Tschechische Republik)
Corinna Vitale, Leiterin des Master-Programms ATD
Beth Harris, Tänzerin und Choreographin
2 CreditsMTH-MTH-ERK-PART-02.18H.002
ATD / Toolbox "Clown and Comedy" Mick Barnfather, actor, director and teacher. Theater Complicite, Ecole Philipp Gaulier and R.A.D.A.
4 CreditsMTH-MTH-ERK-PART-04.18H.006
ATD / Toolbox "Physicality of an Actor / Physicality of a Puppet" Corinna Vitale, Pavel Stourac, director of Continuo Theatre (Czech Republic)
4 CreditsMTH-MTH-ERK-PART-04.18H.002
Campuswoche/ERKUNDEN "Mensch & Maschine (Welcome back to the future)" Barbara Weber, Peter Purtschert, Hayat-Hayriye Erdogan, Friederike Lampert, Réjane Dreifuss
2 CreditsMTH-MTH-ERK-CAM.18H.001
Theorie-Slot / ATD "Thinking Theatre" Corinna Vitale, Prof. Dr. Richard Weihe, professor for Theatre Theory in the Master Programme of the ATD
2 CreditsMTH-MTH-ERK-PART-02.18H.001
ATD / Toolbox "Clown and Comedy" 
Kursangebot der Partnerschule Accademia Teatro Dimitri
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| Nummer und Typ | MTH-MTH-ERK-PART-04.18H.006 / Moduldurchführung |
|---|---|
| Modul | Partnerschulen 04 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Mick Barnfather, actor, director and teacher. Theater Complicite, Ecole Philipp Gaulier and R.A.D.A. |
| Zeit | Mo 3. Dezember 2018 bis Fr 14. Dezember 2018 all day |
| Ort | Verscio (TI) |
| Anzahl Teilnehmende | 5 - 20 |
| ECTS | 4 Credits |
| Voraussetzungen | There is no requirement of previous experience in this area. |
| Zielgruppen | Alle |
| Lernziele / Kompetenzen | To help students discover that, which is uniquely funny about them. |
| Inhalte | In this course I will be looking at what it is that makes us laugh and how we can be funny. It is not about big shoes, make up and squinty flowers. I will concentrate mainly on the clown and the pleasure to be ridiculous in the space. The clown moves from one flop to the next always happy and optimistic to be playing before an audience. There are many confusions and disasters in a clown show. But there are never any doubts. The clown is joyful, playful, mischievous and full of fantasy. Nothing in this workshop is related to a style but verymuch looking to find what is uniquely funny about each person and how they can make that accessible to an audience.I will also spend a little time during this course looking at other comic catalysts such as ensemble play and comic characterization of which one of my tools will be the use of the half (comedic) masks. This workshop will aim to be energetic and very playful. Participants will be encouraged to have fun and pleasure and use this as a starting point. In my opinion when people have fun and play instinctively it is then that they start to play the fool, tell stories, joke and discover their creativity. |
| Termine | 3.12.-14.12.2018 |
| Dauer | Ganztägig (all day) |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
