ATD / "Panel" (Seminar) Prof. Dr. Richard Weihe, Pavel Stourac, director of Continuo Theatre (Czech Republic) Corinna Vitale, Head of Master Studies ATD, Beth Harris, dancer and choreographer
2 CreditsMTH-MTH-ERK-PART-02.18H.003
ATD / "Practical and theoretical introduction to the Master Studies at the ATD" Prof. Dr. Richard Weihe, Pavel Stourac, Leiter des Continuo Theaters (Tschechische Republik)
Corinna Vitale, Leiterin des Master-Programms ATD
Beth Harris, Tänzerin und Choreographin
2 CreditsMTH-MTH-ERK-PART-02.18H.002
ATD / Toolbox "Clown and Comedy" Mick Barnfather, actor, director and teacher. Theater Complicite, Ecole Philipp Gaulier and R.A.D.A.
4 CreditsMTH-MTH-ERK-PART-04.18H.006
ATD / Toolbox "Physicality of an Actor / Physicality of a Puppet" Corinna Vitale, Pavel Stourac, director of Continuo Theatre (Czech Republic)
4 CreditsMTH-MTH-ERK-PART-04.18H.002
Campuswoche/ERKUNDEN "Mensch & Maschine (Welcome back to the future)" Barbara Weber, Peter Purtschert, Hayat-Hayriye Erdogan, Friederike Lampert, Réjane Dreifuss
2 CreditsMTH-MTH-ERK-CAM.18H.001
Theorie-Slot / ATD "Thinking Theatre" Corinna Vitale, Prof. Dr. Richard Weihe, professor for Theatre Theory in the Master Programme of the ATD
2 CreditsMTH-MTH-ERK-PART-02.18H.001
Theorie-Slot / ATD "Thinking Theatre" 
Kursangebot der Partnerschule Accademia Teatro Dimitri
| Nummer und Typ | MTH-MTH-ERK-PART-02.18H.001 / Moduldurchführung |
|---|---|
| Modul | Partnerschulen 02 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Corinna Vitale, Prof. Dr. Richard Weihe, professor for Theatre Theory in the Master Programme of the ATD |
| Zeit | 19./20.11.2018 & 21./22.1.2019 ganztägig (all day) |
| Ort | Verscio (TI) |
| Anzahl Teilnehmende | 2 - 10 |
| ECTS | 2 Credits |
| Lehrform | Theorie-Slot |
| Zielgruppen | All |
| Inhalte | The course primarily addresses students of the MA in Physical Theatre at the Accademia Teatro Dimitri. It isintended as a historical and theoretical introduction to theatrical forms, whose starting point of the creative process is not a printed drama but the actor’s body on stage. We will investigate the artistic aims of the reformers who opposed the institutionalized theatre in the twentieth century – most famously epitomized byAntonin Artaud’s appeal “No more masterpieces!”, opposing “fixed” dramatic texts that belong to literature, not to the theatre. Contemporary aesthetics of Physical or Devised Theatre is indebted to the historical attempts of stage artists to constitute the theatre as an independent art form, not an animated library. We note that the word“drama” is derived from a Greek verb simply meaning “to do/act”. In this sense the aim of the course is to train our ability to think theatrically. The theory will observe the practice: Students will be asked to present their master projects in the seminar, offering their ideas, influences, artistic aims for debate in the group. Can we find a common aesthetic in the different projects? A theatre of creative actors, cre/-attori? |
| Bibliographie / Literatur | Routledge Companion to Theatre and PerformanceThe Routledge Dictionary of Performance and Contemporary TheatreCopies of selected primary texts by theatre artists will be provided |
| Termine | 19./20.11.2018 & 21./22.1.2019 |
| Dauer | Ganztägig (all day) |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
