

Mick Barnfather, actor, director and teacher. Theater Complicite, Ecole Philipp Gaulier and R.A.D.A.
4 CreditsMTH-MTH-ERK-PART-04.18H.006


Corinna Vitale, Pavel Stourac, director of Continuo Theatre (Czech Republic)
4 CreditsMTH-MTH-ERK-PART-04.18H.002


Wolfram Heberle, Giulia Palladini
2 CreditsMTH-MTH-ERK-CAM.18H.004


Barbara Weber, Peter Purtschert, Hayat-Hayriye Erdogan, Friederike Lampert, Réjane Dreifuss
2 CreditsMTH-MTH-ERK-CAM.18H.001


Réjane Dreifuss (Leitung), Becky Brown, Zaven Paré, Gunter Lösel, Miriam Loertscher und weitere Gäste
2 CreditsMTH-MTH-ERK-CAM.18H.002


Jochen Kiefer und Gunter Lösel (Leitung), Dominic Huber und
Stefanie Lorey
0 CreditsMTH-MTH-ERK-VLK-WPF.18H.007


Leitung/Koordination: Barbara Weber
Dozierende: Réjane Dreifuss, Hayat Erdogan, Friedrike Lampert, Peter Purtscher, Barbara Weber und Gäste
2 CreditsDDK-MC-MFI.A01-02.18H.18H.001


Hayat-Hayriye Erdogan
0 CreditsMTH-MTH-ERK-THE.18H.006


Hayat Erdogan, Julia Reichert
0 CreditsMTH-MTH-ERK-THE.18H.005


Leitung: Stefan Jäger
Dozierende: Natascha Beller, Patrick Karpicenzko
1 CreditMFI-BFI.VDB01-04.18H.18H.001


Jochen Kiefer, Jasmine Hoch
0 CreditsMTH-MTH-ERK-WAH.18H.040
ATD / Toolbox "Physicality of an Actor / Physicality of a Puppet" 


Kursangebot der Partnerschule Accademia Teatro Dimitri
Wird auch angeboten für
(...)
Bisheriges Studienmodell
Theater
Master Theater
Partnerschulen
ATD, Accademia Teatro Dimitri Verscio
(weniger)



Nummer und Typ | MTH-MTH-ERK-PART-04.18H.002 / Moduldurchführung |
---|---|
Modul | Partnerschulen 04 ECTS |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Corinna Vitale, Pavel Stourac, director of Continuo Theatre (Czech Republic) |
Zeit | Mo 7. Januar 2019 bis Fr 18. Januar 2019 ganztägig (all day) |
Ort | Verscio (TI) |
Anzahl Teilnehmende | 5 - 12 |
ECTS | 4 Credits |
Voraussetzungen | There is no requirement of previous active experience in work with puppets. |
Lehrform | Toolbox |
Zielgruppen | Alle |
Lernziele / Kompetenzen | The goal of the workshop is a basic understanding of the principles of the phenomena of puppets.The workshop is primarily about discovering the physicality of puppets and comparing it with the physicality of the actor; it is also about the possibility of using puppets in theatrical performances. |
Inhalte | We will discover through different approaches what puppets really are and what puppets can be. We will take a short historical tour and will realize that puppets have been connected with human culture from its beginning.Then through various exercises we will try to research the basic principles of puppets and human movement, their similarities, differences and their potential. We will also try to understand how puppets can help us in learning about our movement, our mind, our emotions, and ourselves. Finally we will try to discover ways how to use all this gained knowledge in concrete theatre work. |
Bibliographie / Literatur | Students are asked to:- Read the book by Henrik Jurkowski „The Metamorphosis of puppet theatre in XX century“- Learn the basic thesis by Edward Gordon Craig included in „The Actor and the Über-marionette“ (1907)- Prepare a short speech about your previous meeting with puppets. (As a spectator of a puppet show, or a meeting with an actor who works with puppets). |
Termine | 7.1. – 18.1.2019 |
Dauer | Ganztägig (all day) |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Englisch |