HKB / "«Musik vom Land» Künstlerische Transformationen" Barbara Balba Weber (Dozentin Musik HKB), Theresa Beyer (Musikethnologin und Journalistin)
2 CreditsMTH-MTH-ERK-PART-02.18F.019
HKB / "Autorschaft – Autorität?" Leitung: Thomas Gartmann, Leo Dick (Doktorand GSA)
Weitere Dozierende: Johanne Mohs (Literatur), Simon Küffer (Kommunikationsdesign), Immanuel Brockhaus (Pop), Xavier Dayer (Komponist und SUISA-Präsident)
2 CreditsMTH-MTH-ERK-PART-02.18F.012
HKB / "Backstage: Meet the artists" M.A. Maren Rieger (Dramaturgin, Dozentin HKB)
2 CreditsMTH-MTH-ERK-PART-02.18F.010
HKB / "Begegnung" 1. Termin: Valerian Maly
2. Termin: Arne Scheuermann
1 CreditMTH-MTH-ERK-PART-01.18F.006
HKB / "Eine Strategie für meine Künstlerpersönlichkeit" Johannes Kram
2 CreditsMTH-MTH-ERK-PART-02.18F.008
HKB / "Fragezeichen. Was ist eine gute Frage?" Tine Melzer (Dozentin CAP) und Gäste
2 CreditsMTH-MTH-ERK-PART-02.18F.013
HKB / "In every sense. With every sense." Alexander Giesche und Regula Schröter
2 CreditsMTH-MTH-ERK-PART-02.18F.007
HKB / "Kunst und Forschung" Leitung: Minou Afzali (Forschungsdozentin HKB), Regina Dürig (Dozentin SLI) mit Gästen aus Kunst und Vermittlung
2 CreditsMTH-MTH-ERK-PART-02.18F.011
HKB / "Laboratory of "Ethno-fictions: poetics of the real" Abderhalden
4 CreditsMTH-MTH-ERK-PART-04.18F.006
HKB / "Projektmanagement / Verhandeln" Wolfram Heberle, Christoph Haering, Julia Schiller
2 CreditsMTH-MTH-ERK-PART-02.18F.006
HKB / "The Institute of Global Solitude" Christos Passalis, Yorgos Valais
2 CreditsMTH-MTH-ERK-PART-02.18F.009
HKB / "Wer ist die Mehrheit? Ein Interviewprojekt " Priska Gisler (Leiterin FSP Intermedialität), Priska Ryffel (Filmemacherin, Zürich)
2 CreditsMTH-MTH-ERK-PART-02.18F.014
HKB / "Wissenschaftliches Schreiben" Thomas Strässle (Y) Gäste: Corina Caduff (Vizerektorin Forschung BFH), Andi Schoon (Y)
2 CreditsMTH-MTH-ERK-PART-02.18F.020
HKB / Theorie Slot "Medialität der Künste" Michael Harenberg (Leiter Studiengang Musik und Medienkunst, HKB), Andrea Otto
2 CreditsMTH-MTH-ERK-PART-02.18F.005
HKB / Theorie Slot "Medialität der Künste" 
Theorie-Slot
| Nummer und Typ | MTH-MTH-ERK-PART-02.18F.005 / Moduldurchführung |
|---|---|
| Modul | Partnerschulen 02 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Michael Harenberg (Leiter Studiengang Musik und Medienkunst, HKB), Andrea Otto |
| Ort | Bern |
| Anzahl Teilnehmende | 5 - 15 |
| ECTS | 2 Credits |
| Voraussetzungen | Unterrichtssprache: Englisch |
| Zielgruppen | Alle |
| Inhalte | All communication is structured by media. Media transmit or store messages, perspectives, aesthetics, but they are - as messengers and carriers of meaning - not the messages themselves. Their agency of transformation is often invisible. If it were not, we would constantly see screens and pixels instead of movies, listen to cables and loudspeakers instead of music and understand language, not stories. Interestingly they become most perceivable when they are subject to errors or lack resolution. In this introduction to media theories, we want to put the finger on the blind spots in which media act in culture and especially in the context of performing arts. How do the body and media technologies connect? Are they instruments of expansion or amputation of the human voice and organs? Together, we will read excerpts by essential authors of media theories of the 20th century and seek to enter discussions about how our individual expressions are channeled, structured and transformed by the media we choose, willingly or not. Prof. Dr. Michael Harenberg (1961) studied musicology in Giessen and composition with Toni Völker in Darmstadt. He works with electroacoustic music, as a composer and theoretician, in the fields of instrumental and improvised music as well as sound installations. Harenberg has written a PhD on virtual instruments in the acoustic cyberspace and has led an SNF research project on the role of the performing body in electronic musical environments. He is professor for musical design and media theories as well as the head of studies of the degree program "Sound Arts" at the Bern University of the Arts. Until 2014, he led the “Deutsche Gesellschaft für elektroakustische Musik“ (DEGEM), where he has directed the "DEGEM WebRadio@ZKM“ among other things. (www.degem.de/webradio) Dr. Andi Otto (1980) is a composer and performer of electronic music based in Hamburg. His instrument is a sensor-extended cello which he calls „Fello“. He has written his PhD thesis about the STEIM SensorLab, a pioneering device for physical interfaces in electronic music from the 1980s. He teaches media theories and hands-on workshops on electronic musical interfaces at the Humboldt Universität Berlin and the Bern University of the Arts. Andi Otto is also a member of the Flinn-Works performance collective from Berlin, a co-founder of the Pingipung Label for electronic music, a DJ at the Golden Pudel Club in Hamburg. He has released five albums with which he tours worldwide; regular musical journeys to India and Japan show their traces in his music. www.andiotto.com |
| Termine | 12.03.+13.03.2018 30.04.+01.05.2018 |
| Dauer | 10.00 - 17.00 Uhr |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
