

Kurt Widorski
3 CreditsDMU-WKMA-2102.18F.001


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.18F.001


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.18F.002


Kurt Widorski
Dennis Bäsecke-Beltrametti (Mai und Juni)
1.5 CreditsBMU-VKOT-MOKF-15-2.18F.003


Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.18F.001


Christoph Allenspach
2 CreditsBDE-BDE-T-WP-2012.18F.001


Martina Schucan
2 CreditsDMU-WKAN-1200.18F.002


Eliane Binggeli Esposito, Anselm Caminada
2 Creditsbae-bae-dp700-00.18F.005


Wahrnehmung von Kunst aus: Prof.Dr. Mira Sack (MS), Aufführungsanalyse: Maren Rieger (MaRi)
4 CreditsBTH-VTP-L-5140.18F.001


Lucie Tuma (LuTu), Boris Nikitine (BoNi), Maren Rieger (MaRi)
4 CreditsBTH-BTH-L-0020.18F.001


Sabine Boss, Sabine Gisiger, Christian Iseli
0.5 CreditsMFI-BFI.GL.18F.MFI-A04-01.18F.001


Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.18F.001


Mag. Dipl. Des. Nicole Foelsterl
Gastreferenten/Innen
4 CreditsBDE-BDE-P-2080.18F.001


Stefano Vannotti
2 CreditsMDE-MDE-Seminare-1000.18F.001


Björn Franke
2 CreditsMDE-MDE-Seminare-1000.18F.002


Dr. Mela Kocher
2 CreditsMDE-MDE-Seminare-1000.18F.003


Domenico Ferrari
1 CreditDMU-WKMT-6004.18F.001


Flurina Gradin
2 CreditsBDE-BDE-T-WP-4012.01.18F.001


Katrin Luchsinger, Andrea Zimmermann
2 Creditsbae-bae-vt210-01.18F.001


Kurt Widorski / Pierre Funck (Stv. Mai/Juni)
1 CreditDMU-WKFK-8008.18F.001


Franziska Gohl
(Kurs 1)
Adrian Frey
0.5 CreditsDMU-WKMP-4211.18F.001


Bruno Karrer
1 CreditDMU-WKAN-1207.18F.001


Natalia Sidler/ André Desponds
1 CreditDMU-WKMP-4206.18F.001


Burkhard Kinzler
1 CreditDMU-WKMA-2412.18F.001


Franziska Gohl
(Kurs 1)
Adrian Frey
0.5 CreditsDMU-WKMP-4210.18F.001


Kurt Widorski / Pierre Funck (Stv. Mai/Juni)
1 CreditDMU-WKFK-8008.18F.002


Olivia Jaques, Heinrich Lüber
6 CreditsBKM-BKM-Ko.18F.011


Gabrielle Schaad, Sandra Oehy
3 CreditsBKM-BKM-Ko.18F.010


Cyril Kennel
2 CreditsBDE-BDE-T-WP-4021.18F.001


Anna-Brigitte Schlittler, Christina Horisberger
1 Creditbae-bae-dt620-12.18F.001


Prof. Katrin Luchsinger, Susann Wintsch
2 Creditsbae-bae-dt220-01.18F.001


Andrea Zimmermann
2 Creditsbae-bae-vt630-01.18F.001


Astrid Schenka (AS)
3 CreditsBTH-VDR-L-316.18F.001


Gunda Zeeb
0 CreditsMTH-MTH-VER-VLK-MAN.18F.001


Leitung: Sabine Boss
Dozierende: Hansi Voigt
1 CreditBFI-BFI-P.Me.18F.002


Martina Bovet
1.5 CreditsMMP-VIV-PK05.18F.001


Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.18F.003


Andreas Zihler
1.5 CreditsMMP-VIV-PK05.18F.002


Sønke Gau, Basil Rogger
2 Creditsmae-mtr-200.18F.001


Florian Keller (Kulturredaktor WOZ)
2 Creditsmae-vpu-203.18F.003


Florian Keller (WOZ), Tereza Fischer (Filmbulletin)
2 Creditsmae-vpu-203.18F.004


Caudia Jolles, Aoife Rosenmeyer
2 Creditsmae-vpu-203.18F.002


Barbara Sommer
0 CreditsMTH-MTH-VER-VLK-QUA.18F.007


Christoph Allenspach
2 CreditsBDE-BDE-T-WP-4013.18F.001


Claudia Pachlatko
1.5 CreditsBMB-MPMB-11-2.18F.001


Basil Rogger und Katja Gläss
2 CreditsMTR-MTR-1002.18F.001


Antoine Chessex, Patrick Müller
2 CreditsMTR-MTR-1002.18F.003


Barbara Naegelin, Dominic Oppliger, Patrick Müller
2 CreditsMTR-MTR-1002.18F.004


Peter Truniger
2 Creditsbae-bae-vt310-05.18F.001


Fabian Künzli + Dennis Bäsecke Stv von Hanspeter Kübler
1 CreditMMP-VMB-SEM-IP03.18F.001


Milenko Lazic
3 CreditsBKM-BKM-Te.18F.015


Nadia Graf, Colette Ulrich
3 CreditsBKM-BKM-Te.18F.013


Monika Gysel (MoGy)
1 CreditBTH-VRE-L-412.18F.001


Susanne Petersen
0.5 CreditsDMU-WKMP-4606.18F.001


Andreas Bürgisser (ABü), Sascha Willenbacher (SaWi)
4 CreditsBTH-VTP-L-5130.18F.001


Adrian Notz & Hayat-Hayriye Erdogan
0 CreditsMTH-MTH-ERK-THE.18F.001


Leitung: Christian Iseli
Dozierende: Sabine Gisiger, Christian Iseli
1 CreditDDK-KF-FFI.GL.18F.BFI-Th.MFI-ICL04-11.18F.001


Nana Adusei-Poku
3 CreditsBKM-BKM-Th.18F.019


Gerald Raunig
3 CreditsBKM-BKM-Th.18F.018


Annemarie Bucher
3 CreditsBKM-BKM-Th.18F.007


Nils Röller
3 CreditsBKM-BKM-Th.18F.013


Bernhard Lehner
1 CreditDDK-KF-FFI.GL.BFI.MFI.ICL04-07.18F.001


Lorenz Suter
1 CreditDDK-KF-FFI.GL.BFI.MFI.ICL04-07.18F.002


Leitung: Christian Iseli
Dozierende: Sabine Gisiger, Christian Iseli, NN
1 CreditBFI.MFI.ICL04-02.18F.001


Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.18F.001


Tobias Jundt
2 CreditsDMU-WKMP-4501.18F.001


Koordination: Manuela Rüegg
Programmation/Kontakt: Daniel Loepfe
0 CreditsBFI-MFI-MM.Filmklub.18F.001


Leitung/Dozent: Stefan Jäger
2 CreditsBFI-MFI.GL.18F.BFI-VP.MFI-ICL04-06.18F.001


Leitung: Nicole Schroeder
Dozierende: Nicole Schroeder, NN
0.5 CreditsDDK-KF-BFI-BFI-V-Producing_1.18F.001


Manuel Gerber
1 CreditDDK-KF-FFI.BFI-VP.MFI-ICL04-03.18F.001


Manuel Gerber
1 CreditDDK-KF-BFI-BFI-V-Sound-Design_1.18F.001


Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.18F.001


Yvonne Schmidt + PhD Studierende DDK (Marisa Godoy, Patrick Gusset, Luka Popadic & Anne Sabourin)
0 CreditsMTH-MTH-VER-WAH.18F.003


Patrick Müller
2 CreditsBMU-VKLA-MOMA-03.18F.001
Digital Theory: Appropriation in Art and Culture (gLV) 


Artistic practices of appropriation and contempary digital culture
Wird auch angeboten für
Nummer und Typ | BKM-BKM-Th.18F.016 / Moduldurchführung |
---|---|
Modul | Theorie |
Veranstalter | Departement Fine Arts |
Leitung | Felix Stalder |
Anzahl Teilnehmende | maximal 18 |
ECTS | 3 Credits |
Voraussetzungen | The module will be held in English, so students should be able to read and speak English and understand English-language films. |
Lehrform | Seminar |
Zielgruppen | Students BA Art & Media Open to students from all departments Participants from other departements please send an email to bal.dkm@zhdk.ch and will be contacted in week 6. |
Lernziele / Kompetenzen | Learn about the different approaches to working with pre-existing cultural materials over the last 100 years, and focus on contemporary practices. Read, discuss and present texts and reflect your own practice of direct or indirect appropriation. |
Inhalte | In 1928, Oswald de Andrade published the Cannibal Manifesto (Manifesto Antropófago) that identified the principle of cultural appropriation as key to Brazilian culture. He wasn't alone. Throughout the 20th century, numerous cultural movements - from music concrète to found footage film, from situationism, to pop art and appropriation art - have examined the question of working with pre-existing cultural materials as an avant-garde practice. With the spread of digital media, we have surrounded ourselves with near infinite cultural materials, easy to access, easy to manipulate, easy to distribute. Now, appropriation is the new normal in artistic practice and new cultural genres are emerging from it, from popular meme culture to sampling in music, collaborative films and works of art for the white cube. In this module, we will look at the history of appropriation as an artistic technique and focus on the practice of appropriation in the networked culture of the present. We will read key texts, watch films and discuss artworks and look at practices of appropriation in our own work. Felix Stalder heads the field of "digitality" and conducts research on the interrelationship between society, culture and technology. At the ZHdK he heads the research project "Creating Commons", which examines artistic projects that generate free resources. He is a founding member of the artistic research platform "Technopolitics" and the "World Information Institute", both in Vienna. -> felix.openflows.com |
Leistungsnachweis / Testatanforderung | Active participation, presentation in class, written text. Min. 80% presence in class. |
Termine | Dienstag, 17:30-21:00 20.2. / 6., 20.3. / 3., 17., 24.4. / 8., 22.5.2018 |
Bewertungsform | bestanden / nicht bestanden |