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Kurt Widorski
3 CreditsDMU-WKMA-2102.18F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.18F.001
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.18F.002
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Kurt Widorski
Dennis Bäsecke-Beltrametti (Mai und Juni)
1.5 CreditsBMU-VKOT-MOKF-15-2.18F.003
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Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.18F.001
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Christoph Allenspach
2 CreditsBDE-BDE-T-WP-2012.18F.001
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Martina Schucan
2 CreditsDMU-WKAN-1200.18F.002
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Eliane Binggeli Esposito, Anselm Caminada
2 Creditsbae-bae-dp700-00.18F.005
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Wahrnehmung von Kunst aus: Prof.Dr. Mira Sack (MS), Aufführungsanalyse: Maren Rieger (MaRi)
4 CreditsBTH-VTP-L-5140.18F.001
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Lucie Tuma (LuTu), Boris Nikitine (BoNi), Maren Rieger (MaRi)
4 CreditsBTH-BTH-L-0020.18F.001
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Sabine Boss, Sabine Gisiger, Christian Iseli
0.5 CreditsMFI-BFI.GL.18F.MFI-A04-01.18F.001
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Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.18F.001
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Mag. Dipl. Des. Nicole Foelsterl
Gastreferenten/Innen
4 CreditsBDE-BDE-P-2080.18F.001
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Stefano Vannotti
2 CreditsMDE-MDE-Seminare-1000.18F.001
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Björn Franke
2 CreditsMDE-MDE-Seminare-1000.18F.002
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Dr. Mela Kocher
2 CreditsMDE-MDE-Seminare-1000.18F.003
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Domenico Ferrari
1 CreditDMU-WKMT-6004.18F.001
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Flurina Gradin
2 CreditsBDE-BDE-T-WP-4012.01.18F.001
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Katrin Luchsinger., Andrea Zimmermann
2 Creditsbae-bae-vt210-01.18F.001
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Kurt Widorski / Pierre Funck (Stv. Mai/Juni)
1 CreditDMU-WKFK-8008.18F.001
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Franziska Gohl
(Kurs 1)
Adrian Frey
0.5 CreditsDMU-WKMP-4211.18F.001
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Bruno Karrer
1 CreditDMU-WKAN-1207.18F.001
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Natalia Sidler/ André Desponds
1 CreditDMU-WKMP-4206.18F.001
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Burkhard Kinzler
1 CreditDMU-WKMA-2412.18F.001
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Franziska Gohl
(Kurs 1)
Adrian Frey
0.5 CreditsDMU-WKMP-4210.18F.001
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Kurt Widorski / Pierre Funck (Stv. Mai/Juni)
1 CreditDMU-WKFK-8008.18F.002
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Olivia Jaques, Heinrich Lüber
6 CreditsBKM-BKM-Ko.18F.011
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Gabrielle Schaad, Sandra Oehy
3 CreditsBKM-BKM-Ko.18F.010
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Cyril Kennel
2 CreditsBDE-BDE-T-WP-4021.18F.001
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Anna-Brigitte Schlittler, Christina Horisberger
1 Creditbae-bae-dt620-12.18F.001
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Prof. Katrin Luchsinger, Susann Wintsch
2 Creditsbae-bae-dt220-01.18F.001
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Andrea Zimmermann
2 Creditsbae-bae-vt630-01.18F.001
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Astrid Schenka (AS)
3 CreditsBTH-VDR-L-316.18F.001
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Gunda Zeeb
0 CreditsMTH-MTH-VER-VLK-MAN.18F.001
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Leitung: Sabine Boss
Dozierende: Hansi Voigt
1 CreditBFI-BFI-P.Me.18F.002
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Martina Bovet
1.5 CreditsMMP-VIV-PK05.18F.001
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Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.18F.003
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Andreas Zihler
1.5 CreditsMMP-VIV-PK05.18F.002
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Sønke Gau, Basil Rogger
2 Creditsmae-mtr-200.18F.001
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Florian Keller (Kulturredaktor WOZ)
2 Creditsmae-vpu-203.18F.003
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Florian Keller (WOZ), Tereza Fischer (Filmbulletin)
2 Creditsmae-vpu-203.18F.004
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Caudia Jolles, Aoife Rosenmeyer
2 Creditsmae-vpu-203.18F.002
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Barbara Sommer
0 CreditsMTH-MTH-VER-VLK-QUA.18F.007
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Christoph Allenspach
2 CreditsBDE-BDE-T-WP-4013.18F.001
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Claudia Pachlatko
1.5 CreditsBMB-MPMB-11-2.18F.001
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Basil Rogger und Katja Gläss
2 CreditsMTR-MTR-1002.18F.001
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Antoine Chessex, Patrick Müller
2 CreditsMTR-MTR-1002.18F.003
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Barbara Naegelin, Dominic Oppliger, Patrick Müller
2 CreditsMTR-MTR-1002.18F.004
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Peter Truniger
2 Creditsbae-bae-vt310-05.18F.001
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Fabian Künzli + Dennis Bäsecke Stv von Hanspeter Kübler
1 CreditMMP-VMB-SEM-IP03.18F.001
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Milenko Lazic
3 CreditsBKM-BKM-Te.18F.015
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Nadia Graf, Colette Ulrich
3 CreditsBKM-BKM-Te.18F.013
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Monika Gysel (MoGy)
1 CreditBTH-VRE-L-412.18F.001
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Susanne Petersen
0.5 CreditsDMU-WKMP-4606.18F.001
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Andreas Bürgisser (ABü), Sascha Willenbacher (SaWi)
4 CreditsBTH-VTP-L-5130.18F.001
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Adrian Notz & Hayat-Hayriye Erdogan
0 CreditsMTH-MTH-ERK-THE.18F.001
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Leitung: Christian Iseli
Dozierende: Sabine Gisiger, Christian Iseli
1 CreditDDK-KF-FFI.GL.18F.BFI-Th.MFI-ICL04-11.18F.001
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Nana Adusei-Poku
3 CreditsBKM-BKM-Th.18F.019
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Gerald Raunig
3 CreditsBKM-BKM-Th.18F.018
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Annemarie Bucher
3 CreditsBKM-BKM-Th.18F.007
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Nils Röller
3 CreditsBKM-BKM-Th.18F.013
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Bernhard Lehner
1 CreditDDK-KF-FFI.GL.BFI.MFI.ICL04-07.18F.001
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Lorenz Suter
1 CreditDDK-KF-FFI.GL.BFI.MFI.ICL04-07.18F.002
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Leitung: Christian Iseli
Dozierende: Sabine Gisiger, Christian Iseli, NN
1 CreditBFI.MFI.ICL04-02.18F.001
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Timothy Walter Kleinert
2 CreditsDMU-WKMT-6300.18F.001
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Tobias Jundt
2 CreditsDMU-WKMP-4501.18F.001
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Koordination: Manuela Rüegg
Programmation/Kontakt: Daniel Loepfe
0 CreditsBFI-MFI-MM.Filmklub.18F.001
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Leitung/Dozent: Stefan Jäger
2 CreditsBFI-MFI.GL.18F.BFI-VP.MFI-ICL04-06.18F.001
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Leitung: Nicole Schroeder
Dozierende: Nicole Schroeder, NN
0.5 CreditsDDK-KF-BFI-BFI-V-Producing_1.18F.001
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Manuel Gerber
1 CreditDDK-KF-FFI.BFI-VP.MFI-ICL04-03.18F.001
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Manuel Gerber
1 CreditDDK-KF-BFI-BFI-V-Sound-Design_1.18F.001
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Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.18F.001
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Yvonne Schmidt + PhD Studierende DDK (Marisa Godoy, Patrick Gusset, Luka Popadic & Anne Sabourin)
0 CreditsMTH-MTH-VER-WAH.18F.003
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Patrick Müller
2 CreditsBMU-VKLA-MOMA-03.18F.001
Digital Theory: Appropriation in Art and Culture (gLV) ![Favorit entfernen](/app/img/structure/fav-full6.png)
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Artistic practices of appropriation and contempary digital culture
Wird auch angeboten für
Nummer und Typ | BKM-BKM-Th.18F.016 / Moduldurchführung |
---|---|
Modul | Theorie |
Veranstalter | Departement Fine Arts |
Leitung | Felix Stalder |
Anzahl Teilnehmende | maximal 18 |
ECTS | 3 Credits |
Voraussetzungen | The module will be held in English, so students should be able to read and speak English and understand English-language films. |
Lehrform | Seminar |
Zielgruppen | Students BA Art & Media Open to students from all departments Participants from other departements please send an email to bal.dkm@zhdk.ch and will be contacted in week 6. |
Lernziele / Kompetenzen | Learn about the different approaches to working with pre-existing cultural materials over the last 100 years, and focus on contemporary practices. Read, discuss and present texts and reflect your own practice of direct or indirect appropriation. |
Inhalte | In 1928, Oswald de Andrade published the Cannibal Manifesto (Manifesto Antropófago) that identified the principle of cultural appropriation as key to Brazilian culture. He wasn't alone. Throughout the 20th century, numerous cultural movements - from music concrète to found footage film, from situationism, to pop art and appropriation art - have examined the question of working with pre-existing cultural materials as an avant-garde practice. With the spread of digital media, we have surrounded ourselves with near infinite cultural materials, easy to access, easy to manipulate, easy to distribute. Now, appropriation is the new normal in artistic practice and new cultural genres are emerging from it, from popular meme culture to sampling in music, collaborative films and works of art for the white cube. In this module, we will look at the history of appropriation as an artistic technique and focus on the practice of appropriation in the networked culture of the present. We will read key texts, watch films and discuss artworks and look at practices of appropriation in our own work. Felix Stalder heads the field of "digitality" and conducts research on the interrelationship between society, culture and technology. At the ZHdK he heads the research project "Creating Commons", which examines artistic projects that generate free resources. He is a founding member of the artistic research platform "Technopolitics" and the "World Information Institute", both in Vienna. -> felix.openflows.com |
Leistungsnachweis / Testatanforderung | Active participation, presentation in class, written text. Min. 80% presence in class. |
Termine | Dienstag, 17:30-21:00 20.2. / 6., 20.3. / 3., 17., 24.4. / 8., 22.5.2018 |
Bewertungsform | bestanden / nicht bestanden |
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