Campus-Slots / ZH "Arbeit – Liebe – tot.
Mediale Transgression und poetische Aggression im Werk von Rainer Werner Fassbinder." Dozentinnen: Irene Vögeli & Hayat-Hayriye Erdogan
2 CreditsMTH-MTH-ERK-CAM.17H.002
Master-Symposium: "Multitasks" Donatella Bernardi, Philip Matesic, Johanna Bruckner, Claudia Kübler, diverse Gäste
3 CreditsMAF-MAF-Sy00.17H.001
Pool II: October School 2017 Delhi Christoph Schenker, Donatella Bernardi, Franz Krähenbühl, Johanna Bruckner, Nils Röller
3 CreditsMAF-MAF-Po00.17H.002
Pool V: Ästhetische Kulturen – Forschung in den Künsten und dem Design: „Macht der Bilder!? Praxisorientierte ästhetische Forschung zur visuellen Kultur“ Jens Badura/Hayat-Hayriye Erdogan
3 CreditsMAF-MAF-Po00.17H.005
Pool VIII: Language and form in editorial process Donatella Laura Ada Bernardi, in cooperation with Nicolas Eigenheer, Noémie Gygax, Leila Peacock and Jeremy Schorderet
3 CreditsMAF-MAF-Po00.17H.008
Praxis 1: Molekulare Liebe Yvonne Wilhelm, Christian Hübler, Christoph Schenker,Johanna Bruckner
21 CreditsMAF-MAF-Pr00.17H.001
Praxis 2: Staying with the trouble Uriel Orlow, Gerald Raunig, Claudia Kübler
21 CreditsMAF-MAF-Pr00.17H.002
Praxis 3: Open critics Donatella Bernardi, Dominique Lämmli, Giaco Schiesser
21 CreditsMAF-MAF-Pr00.17H.003
Praxis 4: 'ex-ponere' Erik Steinbrecher, Laura Arici, Jens Badura, Philip Matesic
21 CreditsMAF-MAF-Pr00.17H.004
Qualifikation / "Ästhetische Kulturen: Forschung in den Künsten und dem Design" Hayat-Hayriye Erdogan, Irene Vögeli, Ines Kleesattel, Dieter Mersch, Jens Badura & Gäste
0 CreditsMTH-MTH-VER-VLK-QUA.17H.008
Pool IX: Juliana Huxtable: "Complex juncture" 
| Nummer und Typ | MAF-MAF-Po00.17H.009 / Moduldurchführung |
|---|---|
| Modul | Pool |
| Veranstalter | Departement Fine Arts |
| Leitung | Juliana Huxtable |
| Anzahl Teilnehmende | maximal 13 |
| ECTS | 3 Credits |
| Lehrform | Poolseminar |
| Inhalte | Juliana Huxtable was born in Bryan-College Station, Texas, in 1987. She attended Bard College, Annandale-on-Hudson, New York, where she studied art, gender studies, and human rights. In her work, Huxtable explores the intersections of race, gender, queerness, and identity. She uses a diverse set of means to engage these issues, including self-portraiture, text-based prints, performance, nightlife, music, writing, and social media. Huxtable does not privilege any method over another, and the lines between different forms of her work are often fluid. This destabilization of creative categories is in accordance with her larger project. Whether inserting her own image in landscapes inspired by the African American religious sect Nuwaubian Nation or including the iconic “Protest” section of the jazz album "We Insist! Max Roach’s Freedom Now Suite" (1960) in a DJ set, Huxtable critiques existing social norms and categorical distinctions while indicating alternate, more hopeful possibilities. |
| Leistungsnachweis / Testatanforderung | 80% Anwesenheit, aktive Teilnahme |
| Termine | Di 31. Okt - Fr 4. Nov, jeweils 09.00 bis 16.00 h |
| Bewertungsform | bestanden / nicht bestanden |
