ATD / "Practical and theoretical introduction to the Master Studies at the ATD"
Prof. Dr. Richard Weihe, Pavel Stourac, Leiter des Continuo Theaters (Tschechische Republik)
Corinna Vitale, Leiterin des Master-Programms ATD
Beth Harris, Tänzerin und Choreographin
2 CreditsMTH-MTH-ERK-PART-02.17H.001
ATD / "The Actor Puppet and his ,Manipulator,"
Serge Nicolaï (Schauspieler, Regisseur, Bühnenbildner, Pädagoge, Mitglied von Theatre du Soleil, künstlerischer Leiter von Aria in Corsica)
4 CreditsMTH-MTH-ERK-PART-04.17H.001
ATD / "The concept of Body Weather training"
Andres Corchero, Tänzer-Choreograph
4 CreditsMTH-MTH-ERK-PART-04.17H.002
Campus-Slots / ATD "Thinking Theatre"
Prof. Dr. Richard Weihe,
Professor für Theatertheorie im Masterprogramm der ATD
2 CreditsMTH-MTH-ERK-CAM.17H.005
Campusmodulwoche / ATD "The Cre-attore or Creative Actor"
Prof. Dr. Richard Weihe
2 CreditsMTH-MTH-ERK-CAM.17H.004
Campusmodulwoche / ATD "The Cre-attore or Creative Actor"
Kursangebot der Partnerschule Accademia Teatro Dimitri
Wird auch angeboten für
Nummer und Typ | MTH-MTH-ERK-CAM.17H.004 / Moduldurchführung |
---|---|
Modul | Campus-Kurse |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Prof. Dr. Richard Weihe |
Ort | Verscio (TI) |
Anzahl Teilnehmende | 5 - 23 |
ECTS | 2 Credits |
Zielgruppen | Alle |
Inhalte | With the emergence of Artistic Research as an academic topic, research is viewed as a crucial activity of both scientists and artists. Artistic and scientific forms of research are influencing each other reciprocally. We observe how scientific methods of experimentation, investigation, interviewing, collecting data etc. are manifesting themselves in contemporary theatre. Thereby, the focus shifts away from the product to the process. Traditional narrative patterns (beginning – middle – end) are challenged by structural patterns imported from the sciences (assumption – experiment/investigation – evaluation). In this seminar we shall deliberate new creative processes in the theatre, in particular whether and how the noted shift transfers creative responsibility from the author/director to the actor. Latin creare means to ‘invent’ or simply to ‘produce’; the Cre-attore (be it an individual or a group) both devises and presents the show, no longer a mere instrument of an author (prescribed words) and a director (prescribed actions). Do we have to reinvent the theatre? What is at stake, it seems, is the future role of the theatre in a society in which the media are increasingly replacing reality. Could theatre become the art form in which the boundary between reality and fiction can still be drawn and perceived? And actors, as creative artist-researchers, the mediators of this liminality? |
Termine | 27.09. - 29.09.2017 |
Dauer | Ganztägig |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Englisch |