Methoden / "Anglo-Amerikanische Theatertexte - Szenenstudium"
Gerd Wameling
0 CreditsMTH-MTH-VER-VSC-WPF.17H.001
Pflicht / "Vorsprechen"
Andreas Hermann, Verena Lercher, Nicolas Rosat
0 CreditsMTH-MTH-VER-PFL.17H.001
Qualifikation / "Ästhetische Kulturen: Forschung in den Künsten und dem Design"
Hayat-Hayriye Erdogan, Irene Vögeli, Ines Kleesattel, Dieter Mersch, Jens Badura & Gäste
0 CreditsMTH-MTH-VER-VLK-QUA.17H.008
Qualifikation / "Hacking the discourse_Kick-Off"
Jochen Kiefer, Christoph Keller (SRF)
0 CreditsMTH-MTH-VER-VLK-QUA.17H.003
Qualifikation / "Theater und Digitalisierung / Wenn der Zuschauer zum Spieler wird"
Gametheaterkollektiv machina eX / Réjane Dreifuss
0 CreditsMTH-MTH-VER-VLK-QUA.17H.002
Methoden / "Song of the Goat Theatre"
Nummer und Typ | MTH-MTH-VER-VSC-WPF.17H.002 / Moduldurchführung |
---|---|
Modul | Methoden / Schauspiel |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Anna Zubrzycki |
Anzahl Teilnehmende | 8 - 12 |
ECTS | 0 Credits |
Lehrform | Wahlpflicht / Vertiefen |
Zielgruppen | SC, BT, SP |
Lernziele / Kompetenzen | The core of the work is learning approaches to physical and vocal techniques that provide students with the skills for individual research on the body and voice in training and performance. Research is the very nature of the acting process studied which then manifests itself in students' own investigation into acting. The MA in acting aims to train the artist to be independent through a program that gives the skills, confidence and methods to develop their own practice. |
Inhalte | RESIDENCY AT SONG OF THE GOAT THEATRE, WROCLAW, POLAND The course will offer students 25 hours of practical training each week, led by members of the Song of the Goat company who will teach their own unique approach to actor training. This method, which approaches the performer in a holistic way, involves working from the body into voice, song and text work. It emphasis the flow between movement, rhythm and sound both within the individual and the ensemble, with the view to developing true partnership and support within this dynamic. Each of the company members will approach this from their own particular strength: the voice and its connection to imagination and deep personal song, working with physical impulses, text, presence and the state of readiness. Each student will also have the opportunity for an individual tutorial. The landscape of his imagination of the writings of Bruno Shulz will provide the framework of exploration. Additionally there will be lectures each week by eminent academics contextualizing the Company's work in the long tradition of ensemble-research theatre work in Poland and Eastern Europe. |
Termine | 27.11. - 16.12.2017 |
Dauer | nach Ansage |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Englisch |
Bemerkung | Anna Zubrzycki, Co-founder and co-director of Piesn Kozla (Song of the Goat Theatre), leading actress, vocal techniques teacher, Course Leader of MA in Acting taught by Piesn Kozla for Manchester Metropolitan University School of Theater. Began her acting career in 1975 with the Theater-in Education Jigsaw Company in Canberra, Australia. From 1977-1992 leading actress in the Gardzienice Theater Association in Poland. Has received awards, amongst others - Polish Theater critic's prize for best female role - Isolde in Carmina Burana, Best female role of 2009 - Lady Macbeth in Macbeth, The Polish National Order for Merit in Culture, 2005, Lublin Voivodship Medal for promoting Culture in the region. Founding member of the Polish branch of Rokpa International Charity, helped to set up soup kitchens in Poland as well as traveling to Tibet to monitor its projects. Song of the Goat Theatre, Teatr Piesn Kozla has been hailed as the most exciting and innovative of the new Avant-garde theatre movements in Poland. It has toured internationally with its performances and been granted many awards. |