Theorie: The Photographic 
Place and territoriality; archive, montage and appropriation; time and the experience of duration; the concept of ?the photographic? in the era of the obsolescence of photography.
Angebot für
| Nummer und Typ | BKM-BKM-Th.16H.020 / Moduldurchführung |
|---|---|
| Modul | Theorie |
| Veranstalter | Departement Fine Arts |
| Leitung | Sérgio Mah |
| Zeit | |
| Anzahl Teilnehmende | maximal 19 |
| ECTS | 3 Credits |
| Lehrform | Seminar, Mentorate |
| Zielgruppen | Studierende Bachelor Kunst & Medien |
| Lernziele / Kompetenzen | Kenntnisse in Geschichte und Theorie der zeitgenössischen Fotografie |
| Inhalte | One of the most evident features of contemporary photography is its polymorphous, plural and excessive nature. All these possibilities are expressions of a contemporaneity that extract part of its dynamism from the confusion and dilution of specificities. In this context, this seminar aims to reflect on the place of photography in the current panorama of visual arts, through the highlight of some conceptual, aesthetical and technical trends and strategies. In the morning, there will be a sequence of lectures that intend to point out works of some crucial artists. The lectures are organized around four thematic areas: place and territoriality; archive, montage and appropriation; time and the experience of duration; the concept of ?the photographic? in the era of the obsolescence of photography. The sessions in the afternoon will be devoted to discussions and tutorials about the students? works. |
| Leistungsnachweis / Testatanforderung | Regelmässige, aktive Teilnahme. Min. 80% Anwesenheitspflicht |
| Termine | Blockwoche 44, 31.10 - 4.11., jeweils 9:15 - 17 Uhr |
| Bewertungsform | bestanden / nicht bestanden |
| Bemerkung | Unterrichtssprache Englisch |
