Campus-Slots / HETSR "Nouvelles théâtralités - mises en scène contemporaines"
Eric Vautrin, Robert Cantarella
2 CreditsMTH-MTH-ERK-CAM.16H.007
Campus-Slots / STD "Thinking Theatre"
Prof. Dr. Richard Weihe, Professor ür Theatertheorie im Master-Programm der STD
2 CreditsMTH-MTH-ERK-CAM.16H.004
Campus-Slots / ZH "Was gehen uns die Nibelungen an?*"
Olaf Knellessen & Hayat-Hayriye Erdogan
2 CreditsMTH-MTH-ERK-CAM.16H.002
Campusmodulwoche / HETSR "Arts de la scène contemporains: dans quels lieux et pour quel public?"
Anja Dirks, Robert Cantarella
2 CreditsMTH-MTH-ERK-CAM.16H.006
Campusmodulwoche / HKB "Between Poetry and Praxis. The Status of Creation"
Roberto Fratini Serafide
2 CreditsMTH-MTH-ERK-CAM.16H.008
Campusmodulwoche / STD "Bodies on the Contemporary Stage"
Prof. Dr. Richard Weihe, Professor (aggiunto Supsi) für Theatertheorie im Master-Programm der ATD
2 CreditsMTH-MTH-ERK-CAM.16H.003
Campusmodulwoche / ZH "Intervenieren: Postkoloniale Theorie und kulturelle Praxen"
Maria do Mar Castro Varela
2 CreditsMTH-MTH-ERK-CAM.16H.001
HETSR / "Créer c'est produire, produire c'est créer"
Caroline Marcilhac, Robert Cantarella
1 CreditMTH-MTH-ERK-PART-01.16H.003
HETSR / "De l'idée abstraite au concret du plateau"
François Gremaud, Robert Cantarella
4 CreditsMTH-MTH-ERK-PART-04.16H.003
HETSR / "la pensée au théâtre: un plan de conséquences pour le jeu et l'acteur"
Marie José Malis, Robert Cantarella
4 CreditsMTH-MTH-ERK-PART-04.16H.004
HETSR / "Le Visible et l'invisible : Godard entre en scène"
Julien Fisera, Robert Cantarella
2 CreditsMTH-MTH-ERK-PART-02.16H.006
HETSR / "TOUT EST IN/ADAPTABLE"
Nicolas Doutey et Françoise-Xavier Rouyer, Robert Cantarella
2 CreditsMTH-MTH-ERK-PART-02.16H.005
HKB / " A la recherche de la recherche - Theater"
Y-Institut, Yeboaa, Ofosu, Sibylle Heim, Stephan Lichtensteiger und Gäste
2 CreditsMTH-MTH-ERK-PART-02.16H.009
HKB / "Eigene Texte schreiben und sprechen als darstellerisch/performatives Mittel."
Marianne Oertel (Sprechdozentin), Sibylle Heim
4 CreditsMTH-MTH-ERK-PART-04.16H.009
HKB / "Fragezeichen. Was ist eine gute Frage?"
Y-Institut, Tine Melzer (Dozentin CAP) und Gäste
2 CreditsMTH-MTH-ERK-PART-02.16H.010
HKB / "Wer ist eigentlich hier der Chef? Selbstversuche mit Publikum
Y-Institut, Barbara Balba Weber, Musikvermittlung FB Musik und Florian Reichert, Fachbereichsleiter Oper/Theater
2 CreditsMTH-MTH-ERK-PART-02.16H.011
Plattform / "AFRICA - Formen der interkulturellen und
-disziplinären Kollaboration"
Hamadou Mandé, Prosper Kompaore, Dominique Lämmli, Annemarie Bucher, Nana Adusei-Poku, etc. Koordination: Liliana Heimberg
Wissenschaftliche Mitarbeit: Theres Indermaur, Simone Karpf
0 CreditsMTH-MTH-ERK-VLK-WPF.16H.001
STD / "Practical and theoretical introduction to the Master Studies at the ATD"
Richard Weihe, Professor (aggiunto Supsi) für Theatertheorie
Pavel Stourac, Leiter des Continuo Theatre (Tschechien)
Corinna Vitale, Tänzerin/Choregraphin, Studiengangsleitung des Master-Programms ATD, N.N.
7 CreditsMTH-MTH-ERK-PART-07.16H.001
STD / "The Encounter"
Emanuel Rosenberg (Künstlerischer Leiter, Regisseur und Performer im Teatro DanzAbile/ Progetto Brockenhaus) www.teatrodanzabile.ch www.progettobrockenhaus.com
4 CreditsMTH-MTH-ERK-PART-04.16H.001
HKB / "Tools for creation and composition"
Kursangebot der Partnerschule HKB
Wird auch angeboten für
Nummer und Typ | MTH-MTH-ERK-PART-04.16H.005 / Moduldurchführung |
---|---|
Modul | Partnerschulen 04 ECTS |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Ted Stoffer |
Ort | Bern |
Anzahl Teilnehmende | 5 - 12 |
ECTS | 4 Credits |
Zielgruppen | Alle - Studierende der HKB, die den Workshop als Bestandteil des Blocks machen, werden bevorzugt |
Inhalte | The workshop focuses on the concept of Ma (resonance of action), five fundamental aspects of movement and the value of persistence. The five aspects of movement are used for individual creativity and frames for group composition. The aspects act not only as a focus for the individual to focus their creativity but they are also communicative vehicles for directors. The fundamentals of movement are applicable to any physical expression regardless of theatrical genre or level of experience. The workshop focuses on experiential understanding though it is not necessary to physically practice these tools. Participants will work alone, in duos and in groups. |
Termine | 5.-8.10. und 10.-14.10.2016 |
Dauer | 10-17 Uhr Präsentation: 14.10. bis open end |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Deutsch |
Bemerkung | Ted Stoffer (º1970 USA) is a Belgium based choreographer, performer and teacher. He has choreographed six productions for Aphasia Dance Co., which he formed in 1997. He has choreographed for Les Ballets C de la B (BE), Norrdans (SE), Ballet Roto (DO), Hochschule für Musik und Tanz in Köln and Frankfurt as well as higher educational institutes in England and Belgium. His work ranges from audience interactive performance installations, abstract dance, dance/theater/musicals and butoh. His works tour throughout Europe. He is a recipient of an Argos Critics Award at the Brighton Festival and a recipient of a Jerwood Award for Young Choreographers (UK). He collaborates with theatre directors: Luk Perceval, Chrsitiane Pohle, Arne Sirens and Sandra Strunz. This year he will collaborate with Thomas Schadt for the Nibelungen Festspiele and again with Sandra Strunz at Staatschauspiel Dresden. He is a regular guest teacher at the Akademie für Darstellende Kunsten Baden-Württemberg. He leads creative process workshops around the world geared to all levels of performers from any genre. |