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Lucie Tuma (LuTu)
4 CreditsBTH-VDR-L-300.16H.001
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Kaspar König
3 CreditsMTR-MTR-1031.16H.001
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Olaf Knellessen & Hayat-Hayriye Erdogan
2 CreditsMTH-MTH-ERK-CAM.16H.002
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Maria do Mar Castro Varela
2 CreditsMTH-MTH-ERK-CAM.16H.001
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Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-1.16H.003
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Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-1.16H.001
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Christoph Merki
1.5 CreditsDMU-WKMA-2006.16H.001
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Anna-Brigitte Schlittler, Christina Horisberger
2 Creditsbae-bae-dt100-01.16H.001
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Dieter Ringli
2 CreditsDMU-WKMA-2004.16H.001
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Martin Zimper/ Hauptleitung
8 CreditsBDE-VCA-V-1130.16H.001
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André Desponds / Natalie Sidler
1 CreditDMU-WKMP-4206.16H.001
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William Crook/ Hauptleitung
4 CreditsBDE-VCA-V-1140.16H.001
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Sigrid Adorf, Soenke Gau
2 Creditsmae-mtr-100.16H.001
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ICST: Gemán Toro Pérez
IFCAR: Christoph Schenker
IPF: Anton Rey
1 CreditDMU-WKMT-6401.16H.001
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Prof. Liliana Heimberg (LH)
1 CreditBTH-VRE-L-4020.16H.001
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Soenke Gau und Patrick Müller
1 CreditMTR-MTR-1018A.16H.001
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Peter Truniger, Andrea Zimmermann
1 Creditbae-bae-vt302-03.16H.001
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Claudia Pachlatko-Barth
1.5 CreditsBMB-MPMB-11-2.16H.001
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Haseeb Ahmed und Eirini Sourgiadaki
2 CreditsMTR-MTR-1002.16H.001
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Harald Krämer
2 CreditsBDE-BDE-T-WP-3011.16H.001
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Peter Purtschert (Dozent für Filmgeschichte und Drehbuch; DDK, DDE & Propädeutikum; Mitarbeiter MIZ)
2 CreditsBDE-BDE-T-WP-3012.16H.001
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Cecilia Hausheer
2 CreditsBDE-BDE-T-WP-3014.16H.001
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Nina Bandi
2 CreditsBDE-BDE-T-WP-BW-3016.16H.001
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Nina Bandi
2 CreditsBDE-BDE-T-WP-3019.16H.001
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Christoph Brunner, Jana Vanecek
2 CreditsMTR-MTR-1002.16H.006
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Nils Röller
2 CreditsBDE-BDE-T-WP-BW-5011.16H.001
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Mela Kocher
Anna Lisa Martin-Niedecken
2 CreditsBDE-BDE-T-WP-AK-5013.16H.001
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Gerhard M. Buurman
2 CreditsBDE-BDE-T-WP-AK-5014.16H.001
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Peter Vetter
Es ist vorgesehen zu einzelnen Themenkreisen zusätzliche Experten beizuziehen.
2 CreditsBDE-BDE-T-WP-AK-5015.16H.001
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Nils Röller
2 CreditsBDE-BDE-T-WP-AK-5016.16H.001
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Soenke Gau und Patrick Müller
2 CreditsMTR-MTR-1002.16H.008
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Irene Vögeli, Delphine Chapuis Schmitz, Jana Thierfelder
2 CreditsMTR-MTR-1002.16H.009
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Sigrid Adorf, Irene Chabr, Simon Harder, Noëmie Stähli, Julia Wolf
2 Creditsmae-vkp-307.16H.002
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Prof. Esther Maria Häusler (EMH), Amir Modaï (AM)
3 CreditsBTH-VTP-L-50600.16H.001
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Martin Jaeggi
3 CreditsBKM-BKM-Th.16H.019
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Peter Purtschert
1 CreditBFI-.373.Th-MFI.ICL03_05.P.16H.001
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Leitung: André Bellmont
1 CreditBFI-350.Th-MFI.ICL01-03.16H.BMU-SFTM.16H.001
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Bernhard Lehner
1 CreditBFI-360.Th-MFI.ICL01_07.Zalle.P.16H.001
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Leitung: Christian Iseli
Dozierende: Sabine Gisiger, Christian Iseli
1 CreditBFI-352.Th-MFI.ICL01_05.Zalle.P.16H.001
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Leitung: Lorenz Suter
1 CreditBFI-217.P.MFI.ICL01-06.P.16H.16H.001
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Anita Wasser und Filippo Bonacci und NN
1 CreditBFI-BFI-V-Producing.16H.003
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Tido von Oppeln
2 CreditsBDE-BDE-T-WP-BW-5017.16H.001
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Leitung: Maike Thies (Wiss. Mitarbeiterin Design), Olav Lervik (Tonmeister Musik), Martin Jaeggi (Dozent Kunst & Medien), Ian Wooldridge (Assistent Kunst & Medien) und Martin Zimper (Fachrichtungsleitung Cast / Audiovisuelle Medien).
1 CreditBFI-MFI-16H.KEIN KINO.Zalle.16H.001
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Gemán Toro Pérez, IFCAR: Christoph Schenker, IPF: Anton Rey
0 CreditsMTH-MTH-VER-WAH.16H.001
Seminar 0: Simulations, Travelling without Moving ![Favorit entfernen](/app/img/structure/fav-full6.png)
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Wird auch angeboten für
Nummer und Typ | MTR-MTR-1002.16H.001 / Moduldurchführung |
---|---|
Modul | Seminar |
Veranstalter | Departement Kulturanalysen und Vermittlung |
Leitung | Haseeb Ahmed und Eirini Sourgiadaki |
Zeit | Mo 12. September 2016 bis Fr 16. September 2016 / 10–16 Uhr 1. Quartal |
Ort | ZT 7.F03 Atelier Transdisziplinarität |
Anzahl Teilnehmende | maximal 13 |
ECTS | 2 Credits |
Voraussetzungen | Keine |
Lehrform | Projektwoche mit Lektüre, praktischen Arbeiten und Übungen, Schlusspräsentation |
Zielgruppen | Alle Master-Studierenden der ZHdK; Bachelor-Studierende sind willkommen, sofern genügend Plätze vorhanden sind. Geöffneten Lehrveranstaltungen: Einschreibung über ClickEnroll www.zhdk.ch/?ClickEnroll |
Inhalte | This one-week intensive course will focus on theoretical and practical production of simulations. The class will be introduced to and appropriate simulation methods from scientific predictive studies, professional training, and entertainment for artistic use. Each session of the course will introduce a type of simulation, include a practical experiment, and work towards a final production of a simulation by each student which may also be collaborative. While simulation can invoke ideas of high-technology Haseeb Ahmed and Eirini Sourgiadaki will ask students to consider how can language be used as a tool to invoke, suggest, and create imaginative contexts which are then substantiated through material experiences. Can spaces be written? If so in which ways? We will introduce excerpts from science fiction and creative non-fiction as examples. ?Memory errors? enable people to recall memories of events that we have never happened, things we have never experienced, times we have never lived, places we have never been. This is a primary experience connected to feelings that are then followed by concept formation. It is this emotive capacity in memory that we will use in the creation of our simulations in this course. We will explore these questions in a larger concern of what is the minimum and maximum in an economy of objects, signs and signifiers needed to create an experience of a place or a time that is distant from one?s current position. Beyond written pretexts we will introduce other senses including, smell, taste, sight, sound, and recording devices and experimental setups. |
Bibliographie / Literatur | Key Texts: Guy Debord: "Notes on Poker" Gustave Flaubert: "The dictionary of the common places" Gilles Deleuze: "Desert islands" Julio Cortazar: "Cronopios & Famas" Italo Calvino: "Invisible Cities" Alan Lightman: "Einstein's dreams" Henri Bergson: "Memory and Matter" Stanislaw Lem: "Solaris" Key Artworks: Yael Bartana, "Wall and Tower" Laurent Grasso, "HAARP" Lowry Burgess, "Lunar Cubic Aperture" Matthew Buckingham, "False Future" Raimundas Malasaukas and Mark Luytens, "Hypnosis Show" Mike Nelson, "Imposter I" Falke Pisano, "the Value in Mathematics" Aleksandra Mir, "First Woman on the Moon" |
Leistungsnachweis / Testatanforderung | Mindestens 80% Anwesenheit; aktive Teilnahme, auch an der Schlusspräsentation |
Termine | Montag, 12. bis Freitag, 15. September 2016, jeweils 10 bis 16 Uhr. Die Schlusspräsentation findet am Samstag, 16. September, im [link:www.counterspace.ch|Counterspace] in Zürich statt. |
Dauer | Einwöchige Blockveranstaltung |
Bewertungsform | bestanden / nicht bestanden |
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