Technologie/Kulturtechniken VMK: SOUND 
"Exploring acoustic space as enunciative of social relations" (Utra-Red, 2000).
Angebot für
| Nummer und Typ | BMK-VMK-Te02d-01.16F.001 / Moduldurchführung |
|---|---|
| Modul | Technologie/Kulturtechnik VMK: Rasping The Berry - From Code To Sound |
| Veranstalter | Departement Fine Arts |
| Leitung | Aurélie Mermod |
| Anzahl Teilnehmende | maximal 15 |
| ECTS | 4 Credits |
| Voraussetzungen | - |
| Lehrform | input, own project, crits |
| Zielgruppen | DKM |
| Inhalte | The course will give you an insight into sound arts practices. We will look in detail at the strategies of the art group Utra-Red. "Exploring acoustic space as enunciative of social relations, Utra-Red take up the acoustic mapping of contested spaces and histories utilizing sound-based research (termed Militant Sound Investigations) that directly engage the organizing and analyses of political struggles" (Ultra-Red, 2000). You will work on a sound project in group. The course is not about sonic perfection or professional sound technics, instead you are invited to explore sonic failures, noises, silence, self-build devices, field recordings outside the soundproof studio and more. |
| Bibliographie / Literatur | Goodman, S (2009) Sonic Warfare: Sound Affect, and the Ecology of Fear, Cambridge, MIT Press Kelly C., (2011) Sound, Whitechapel Documents on Contemporary Art, Cambridge, MIT Press LaBelle, B. (2010) Acoustic Territories: sound culture and everyday life, Continuum, NY Rodgers, T, (2010) Pink Noise: Women on Electronic Music and Sound, Duke University Press Toop, D., ed., (2000) Sonic Boom: The art of sound, London, Hayward Gallery Publishing |
| Termine / Ort | Blockwoche 12, 21.- 24. März 2016 SONIC LAB Raum 7.A02 |
| Bewertungsform | bestanden / nicht bestanden |
