Campus-Slots / STD "Thinking Theatre" Prof. Dr. Richard Weihe, Professor (aggiunto Supsi) für Theatertheorie im Master-Programm der Accademia TD.
2 CreditsMTH-MTH-ERK-CAM.16F.007
Campusmodulwoche / STD "Mise-en-scène and dramatrugy" Felipe Garcia, Andrea Ruiz, Raul Vargas
2 CreditsMTH-MTH-ERK-CAM.16F.002
Campuswoche / STD "Campusfestival" Richard Weihe, Jurgen Schoora und Gäste
2 CreditsMTH-MTH-ERK-CAM.16F.001
STD / "Grundlagen des Projektmanagements im Kunstbereich" Barbara Stocker, Produktionsleiterin GO Theaterproduktionen
2 CreditsMTH-MTH-ERK-PART-02.16F.008
STD / "Punch Drunk" Elisa Canessa, Federico Dimitri Associazione Sosta Palmizi, Italia
4 CreditsMTH-MTH-ERK-PART-04.16F.001
STD / "Video in Theatre" Klemens Brysch, Performer und Regisseur
2 CreditsMTH-MTH-ERK-PART-02.16F.007
STD / "Punch Drunk" 
Kursangebot der Partnerschule STD
| Nummer und Typ | MTH-MTH-ERK-PART-04.16F.001 / Moduldurchführung |
|---|---|
| Modul | Partnerschulen 04 ECTS |
| Veranstalter | Departement Darstellende Künste und Film |
| Leitung | Elisa Canessa, Federico Dimitri Associazione Sosta Palmizi, Italia |
| Ort | Verscio |
| Anzahl Teilnehmende | 5 - 12 |
| ECTS | 4 Credits |
| Zielgruppen | Alle |
| Lernziele / Kompetenzen | The aim of the course is to stimulate the body and its movement capacity, so the actor's body becomes free for any theatrical action. The main interest is not to give an intellectual meaning to one's research, but to open the actor to a vast scale of human sensations, from the most profound to the most banal and ridiculous. |
| Inhalte | "Man is a machine which constantly produces myths. By doing so he is brought to poetry". The human body is a fundamental vehicle for communication. Gesture, action and matter, as well as mind and soul are imprinted in our bodies. Through physical exercises and improvisations aimed to destabilise preestablished theatrical conventions, the actor will find himself in a state of confusion, inevitable for revealing one's own nature and expression with increased ability and clarity. The actor will be challenged to utmost attention on his body in movement, on the space within and around him as well as on his partners. Hence, he is asked to sharpen his listening in a scenic space and to assume the responsibility for a theatrical action in its totality, regardless of it being improvised or fixed. |
| Termine | 18. - 29.04.2016 |
| Dauer | Ganztägig |
| Bewertungsform | bestanden / nicht bestanden |
| Sprache | Englisch |
