Campus-Slots / HKB "SUNT LACRIMAE RERUM
Silent dramaturgy and the silence of the objects"
Roberto Fratini Serafide
2 CreditsMTH-MTH-ERK-CAM.16F.006
HKB / "Autorschaft - Autorität?"
Thomas Gartmann, Y-Institut
Beteiligte Dozierende: Marie Caffari (Leiterin Schweizerisches Literaturinstitut), Immanuel Brockhaus (Pop), Xavier Dayer (Komponist und SUISA-Präsident), Manuel Bärtsch (Pianist), Sebastian Bausch (Pianist)
2 CreditsMTH-MTH-ERK-PART-02.16F.001
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M.A. Maren Rieger (Dramaturgin, Dozentin HKB)
2 CreditsMTH-MTH-ERK-PART-02.16F.002
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Andreas Zumach (UNO Korrespondent), Søren Berner
1 CreditMTH-MTH-ERK-PART-01.16F.001
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Johannes Kram
2 CreditsMTH-MTH-ERK-PART-02.16F.003
HKB / "Forschungsmittwoch"
Y-Institut, Koordination: Yeboaa Ofosu
Leitung: Sebastian Dobrusskin, Priska Gisler, Arne Scheuermann, Martin Skamletz
1 CreditMTH-MTH-ERK-PART-01.16F.003
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Alexander Giesche und Regula Schröter
4 CreditsMTH-MTH-ERK-PART-04.16F.004
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Wolfram Heberle, Sybille Heim, Mentoren (nach Absprache)
6 CreditsMTH-MTH-ERK-PART-06.16F.001
HKB / "Philosophische Werkstatt"
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2 CreditsMTH-MTH-ERK-PART-02.16F.006
HKB / "Soul at Work. Kritikformen und Legitimationsdiskurse im flexiblen Kapitalismus"
Y-Institut / Pascal Jurt (Theorie-Kurator, Theater Hebbel am Ufer Berlin)
2 CreditsMTH-MTH-ERK-PART-02.16F.005
Campus-Slots / HKB "SUNT LACRIMAE RERUM Silent dramaturgy and the silence of the objects"
Kursangebot der Partnerschule HKB
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Nummer und Typ | MTH-MTH-ERK-CAM.16F.006 / Moduldurchführung |
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Modul | Campus-Kurse |
Veranstalter | Departement Darstellende Künste und Film |
Leitung | Roberto Fratini Serafide |
Ort | Bern |
Anzahl Teilnehmende | 5 - 15 |
ECTS | 2 Credits |
Zielgruppen | Alle |
Inhalte | Awaiting at the edge of that Subjectivity that staged the birth of postmodern theatricality on a backdrop marked by the vanishing of the traditional protocols of playwriting, the strange ways and models of silent dramaturgy has come somehow to represent a big shift of the Poetics towards a new Objectivity and, quite curiously, a new Objectuality. The aim of this workshop is to convey a coherent setting of proceedings and methodologies in postdramatic theatre and silent dramaturgy with a special focus on the objects in theatre (and the object as theatre) not really as a tool but instead as the main embodiment of a poetical paradigm that rebuild the place for objectuality by widening the geography of what they called "Theatre of objects". We will consider, between other issues:
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Termine | 14.+15.03. und 02.+03.05.2016 |
Dauer | 10.00 - 17.00 Uhr |
Bewertungsform | bestanden / nicht bestanden |
Sprache | Deutsch |
Bemerkung | Roberto Fratini Serafide (1972) works as a dramaturg and writer in contemporary dance and physical theatre. Since 2000, he has collaborated with Cie Caterina Sagna, Cie. Philippe Saire, Inesperada-Germana Civera, Roger Bernat-General Electrica, Taiat Dansa, Lanonima Imperial, Societas Raffaello Sanzio and others. At present, he works as a lecturer in dance theory, dance history and dance dramaturgy for the Institut del Teatre and Conservatori Superior de Dansa in Barcelona, where he also directs the Theory Department. Since 2009, he has superintended the "Dramaturgie chorégraphique" project supported by the SSDA. He has organised conferences and master classes in universities and theatres throughout France, Spain, Italy, Switzerland and Germany. He has written articles and essays about dance theory and dramaturgy. His book, "A Contracuento. La danza y las derivas del narrar" was published in 2012. |