Arrangement-Instrumentation / Komposition Advanced (gLV)
Kurt Widorski
3 CreditsDMU-WKMA-2102.19F.001
Arrangement-Instrumentation / Komposition Basic - Gruppe A (gLV)
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.19F.002
Arrangement-Instrumentation / Komposition Basic - Gruppe B (gLV)
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-15-2.19F.001
Arrangement-Instrumentation / Komposition Intermediate - Gruppe B (gLV)
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.19F.001
Arrangement-Instrumentation / Komposition Intermediate (gLV) CAS - Gruppe A
Kurt Widorski
1.5 CreditsBMU-VKOT-MOKF-16.19F.002
Atelier Neue Musik: Sololiteratur und Kammermusik für Streicher aus dem 20. und 21. Jahrhundert (gLV)
Martina Schucan
2 CreditsDMU-WKAN-1200.19F.002
Atelierkurs Video-Sound (Übung) (gLV)
Eliane Binggeli Esposito, Anselm Caminada
2 Creditsbae-bae-dp700-00.19F.005
Aufführungsanalyse & Wahrnehmung von Kunst aus_VTP/VDR - (gLV)
Wahrnehmung von Kunst aus: Prof.Dr. Mira Sack (MS), Aufführungsanalyse: Maren Rieger (MaRi)
4 CreditsBTH-VTP-L-5140.19F.001
Aufführungspraxis Elektroakustische Musik IV (gLV)
Martin Neukom
2 CreditsMKT-VKO-SEAK-KE08-4.19F.001
Ausstellungsszenografie (gLV)
Antonio Scarponi (Modulverantwortlicher); Serge von Arx
2 Creditsmae-vcs-204.19F.001
Bildpraxis Zeichnen: Die Bedeutung der Dinge bei der Konstituierung der Identität - und das Ich als Patchwork (gLV)
Sabian Baumann
2 Creditsmae-vkp-209.19F.001
Christoph Merki: Geschichte der Pop- und Rockmusik seit 1970 (gLV)
Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-3.19F.001
Christoph Merki: Musikgeschichte 2 (Jazz und Pop) (gLV)
Christoph Merki
2 CreditsBMU-PJAPO-MOMA-08-2.19F.001
Christoph Merki: Schreibwerkstatt - Schreiben & Reden Advanced (gLV)
Christoph Merki
2 CreditsDMU-WKMA-2006.19F.001
Context: Curatorial Practice: Curating Queer Contexts. (gLV)
Ian Rodney Wooldridge
3 CreditsBKM-BKM-Ko.19F.010
Das dreidimensionale Hörspiel - Blickfelder 2019 - (gLV)
Erik Altorfer (EA)
2 CreditsBTH-BTH-L-0021.19F.008_WF
Design und Stadtökologie - von urbanen Ökosystemen und der Rolle der Gestaltung (gLV)
Flurina Gradin
2 CreditsBDE-BDE-T-WP-4012.01.19F.001
Design, Ökologie und Nachhaltigkeit (gLV)
Referate verschiedener Fachexpertinnen und Fachexperten
1 CreditBDE-BDE-T-HV-4000.19F.001
Didaktische Modelle des Übens im Musikschulunterricht (gLV)
Isabel Gehweiler
0.5 CreditsDMU-WKFK-8005.19F.001
Dieter Ringli: Wissenschaftliches Proseminar – Die 80s, ein widersprüchliches Jahrzehnt (gLV)
Dieter Ringli
2 CreditsBMU-VKLA-MOMA-03.19F.001
Domenico Ferrari: Creative Pop Producing mit Ableton Live (gLV)
Domenico Ferrari
2 CreditsDMU-WKMT-6002.19F.003
FOLGEKURS - Vermittlung von Improvisation im Unterricht (gLV)
Franziska Gohl
Adrian Frey
0.5 CreditsDMU-WKMP-4211.19F.001
Gehörbildung: Intonation, Temperatur und Stimmungssysteme (gLV)
Burkhard Kinzler
1 CreditDMU-WKMA-2412.19F.001
Improvisation und zeitgenössische Musikkonzepte 2/2 (gLV)
Natalia Ursina Sidler
2 CreditsMMP-VSMU-SSII-KK15-2.19F.001
INPUTKURS - Improvisation & Filmvertonung mit Kindern und Jugendlichen aus der Musikschule Konservatorium (MKZ Zürich) (gLV)
Natalia Sidler
0.5 CreditsDMU-WKFK-8005.19F.002
INPUTKURS - Vermittlung von Improvisation im Unterricht (gLV)
Franziska Gohl
Adrian Frey
0.5 CreditsDMU-WKMP-4210.19F.001
Interweaving Performance Cultures - Festival-Exkursion - (gLV)
Astrid Schenka (AS)
3 CreditsBTH-VDR-L-316.19F.001_WF
Kino Toni: Klub Kuleshov (gLV)
Koordination: Manuela Rüegg
Programmation/Kontakt: Daniel Loepfe
0 CreditsBFI-FIPD-CSbp-00.MFI.19F.002
Kolloquium / Masterkolleg Geschichte der Musiktheorie (gLV)
Angelika Eva Moths
3 CreditsMKT-VTH-KE06.19F.001
Kontext: Club für Analphabetinnen und Analphabeten und alle, die es werden wollen IX (gLV)
Milenko Lazic
3 CreditsBKM-BKM-Ko.19F.008
Kulturanalysen I: «I’m a video girl» – Subjekt, Medium, Bilder, Kultur, Analyse. (gLV)
Sigrid Adorf
2 Creditsmae-vkp-206.19F.001
Kulturanalysen II: Erkenntniskritik und Meinungsbildung (gLV)
Conradin Wolf
2 Creditsmae-vkp-206.19F.002
Kunstbetrachtung (Methodenlehre) (gLV)
Anna-Brigitte Schlittler, Susann Wintsch, Christina Horisberger
1 Creditbae-bae-dt620-12.19F.001
Kunstgeschichte (Vorlesung) (gLV)
Katrin Luchsinger, Susann Wintsch
2 Creditsbae-bae-dt220-01.19F.001
Kunstpsychologie (Erziehungswissenschaften, Seminar)* (gLV)
Andrea Zimmermann
2 Creditsbae-bae-vt630-01.19F.001
LAB 6: Schreibwerkstatt (gLV)
Delphine Chapuis Schmitz und Dominic Oppliger
2 CreditsMTR-MTR-1040.19F.006
Live-elektronische Musik mit Max/MSP - Intermediate (gLV)
Thomas Peter
1.5 CreditsDMU-WKMT-6101.19F.001
Methoden, Strategien und Wirkung des Designs (gLV)
Corina Zuberbühler und Stefano Vannotti
1 CreditBDE-BDE-T-HV-2000.19F.001
Methodik: Fokus Dok (gLV)
Leitung: Sabine Gisiger
Dozierende: Christian Iseli, Sabine Gisiger und Gäste
1 CreditDDK-MC-MFI-VDF-BFI-01.0.19F.002
Musikdidaktik "Aus Fehlern lernen neue zu machen" (Tobias Mattern) (gLV)
Martina Bovet
1.5 CreditsMMP-VIV-PK05.19F.001
Musikdidaktik Musik - Bewegung - Körper - Ausdruck (gLV)
Andreas Zihler
1.5 CreditsMMP-VIV-PK05.19F.002
Musikdidaktik Schwerpunkt Pop, Rock, Blues & Jazz (gLV)
Sebastian Piekarek
1.5 CreditsMMP-VIV-PK05.19F.003
performance lab (gLV)
Heinrich Lüber, Janina Krepart, Riccarda Naef, Sandra Keller, Zoe Tempest
2 Creditsmae-vkp-110.19F.002
Positionen und Diskurse in Kultur und Gesellschaft
Sønke Gau, Basil Rogger
2 Creditsmae-mtr-200.19F.001
Praxis Reflexion III, Track 3: Schreiben über Film (ZDOK) (gLV)
Tereza Fischer (Filmbulletin)
2 Creditsmae-vpu-203.19F.004
Praxis Reflexion III, Track 3: Turmbau zu Babel (Narrative verhandeln) (gLV)
Ruedi Widmer
6 Creditsmae-vpu-214.19F.001
Projekttage 1: Das Experiment in Kunst und Wissenschaft - The Experiment in Arts and Science (glV)
Fabian Gutscher, Mario Schulze, Irene Vögeli
1 CreditMTR-MTR-1019.19F.001
Seminar 1: Spoken Words (gLV)
Delphine Chapuis Schmitz und Dominic Oppliger
2 CreditsMTR-MTR-1002.19F.001
Seminar 2: Piratinnen, Vagabunden, Aussteigerinnen. Aussenseiterfiguren in postkolonialer Perspektive (gLV)
Basil Rogger und Soenke Gau
2 CreditsMTR-MTR-1002.19F.002
Seminar 3: Das Experiment in Kunst und Wissenschaft – The Experiment in Arts and Science (gLV)
Mario Schulze, Fabian Gutscher und Irene Vögeli
2 CreditsMTR-MTR-1002.19F.003
Theaterwoche / "Implosion" (gLV)
Stefanie Lorey, Mira Sack, Jochen Kiefer, Peter Ender, Michael Simon
3 CreditsDDK-MC-MTH-03.19F.001
Theaterwoche / "Implosion" Präsentation
Stefanie Lorey, Mira Sack, Jochen Kiefer, Peter Ender, Michael Simon
3 CreditsDDK-MC-MTH-03.19F.002
Theatrale Verfahren und Probensysteme des Gegenwartstheaters_VTP - (gLV)
Sascha Willenbacher (SaWi), Ursula Jenni (UJ)
4 CreditsBTH-VTP-L-5130.19F.001
Theorie: Art & Research: Ethnologische Forschungsmethoden im künstlerischen Kontext (gLV)
Annemarie Bucher
3 CreditsBKM-BKM-Th.19F.016
Theorie: Characters, Haupt- und Nebenfiguren bei der Drehbuchentwicklung (gLV)
Peter Purtschert
2 CreditsBFI-BFI-THp-02.MFI.19F.001
Theorie: Genderkonstruktionen im Filmbild (gLV)
Bernadette Kolonko
1 CreditBFI-BFI-THp-01.MFI.19F.003
Theorie: Imagine! Das Imaginäre in Kunst, Kultur und Gesellschaft (gLV)
Werner Oeder
3 CreditsBKM-BKM-Th.19F.010
Theorie: ZDOK.19 - Kameraarbeit im Dokumentarfilm (gLV)
Leitung: Christian Iseli
Dozierende: Sabine Gisiger, Christian Iseli und Gäste
1 CreditDDK-MC-MFI-BFI-01.0.19F.003
Theory: Philosophy for the 21st Century. dis/semblage (gLV)
Gerald Raunig
3 CreditsBKM-BKM-Th.19F.007
Vermittlung der Kunst / Kunst als Vermittlung /"Literaturhaus Zürich-Projekt" (gLV)
Barbara Sommer
6 CreditsMTH-MTH-PM-06.19F.002
Vom Dandy zum Hipster: Ästhetizismus und Dekadenz seit dem fin-de-siècle (gLV)
Ulrike Meyer Stump
2 CreditsBDE-BDE-T-WP-2017.19F.001
Vorlesungsreihe "Kein Kino" (gLV)
Maike Thies (wissenschaftliche Mitarbeiterin, BA Game Design)
1 CreditBDE-BDE-T-X-1234.19F.001
Wissenschaftliches Proseminar: Wie schreibe ich einfache Texte über schwierige, technische Themen? (gLV)
Martin Neukom
2 CreditsBMU-VKLA-MOMA-03.19F.003
Projekttage 2: Introduction to the Impossible (gLV)
(f)acts of Transformation
“There is another world, and it is this one” - Paul Eluard
“There is another world, in this one.” - Octavio Paz
“There is no other world, not even this one.” - EM Cioran
Location: Amorgos island, Southeast Aegean Sea, Greece
Open to all BA and MA students
Output:
• Online documentation of resulting works.
• Exhibition of completed works created or inspired by experiences of the week. Location ZHdK or to be announced.
“There is another world, and it is this one” - Paul Eluard
“There is another world, in this one.” - Octavio Paz
“There is no other world, not even this one.” - EM Cioran
Location: Amorgos island, Southeast Aegean Sea, Greece
Open to all BA and MA students
Output:
• Online documentation of resulting works.
• Exhibition of completed works created or inspired by experiences of the week. Location ZHdK or to be announced.
Wird auch angeboten für
Nummer und Typ | MTR-MTR-1019.19F.002 / Moduldurchführung |
---|---|
Modul | Blockwoche |
Veranstalter | Departement Kulturanalysen und Vermittlung |
Leitung | Eirini Sourgiadaki |
Zeit | So 14. April 2019 bis Mo 22. April 2019 |
Anzahl Teilnehmende | maximal 12 |
ECTS | 1 Credit |
Voraussetzungen | Für Studierende anderer Studiengänge der ZHdK, im Rahmen der Geöffneten Lehrveranstaltungen: Einschreibung über ClickEnroll https://intern.zhdk.ch/?clickenroll |
Lernziele / Kompetenzen | “We believe that we know something about the things themselves when we speak of trees, colors, snow, and flowers; and yet we possess nothing but metaphors for things - metaphors which correspond in no way to the original entities.“- F. Nietschze The course consists of daily theoretical input including historical examples related to the topic, daily practical exercises and material production (textual, audio, visual). The results of the exercises are documented, shared, and discussed class-wide each day. The island hosts many relevant cultural, natural, and historical features for us to explore through the course. We inhabit it right before Easter – right before the summer season starts – before it gets transformed to a tourist destination. The sites of interest include Villa Mache designed by composer Iannis Xenakis, Amorgian honey bee hives to learn about their special characteristics, and the Temple of the Water Oracle of the three oracles of Delphi and Dodoni which is now a small monastery. Lectures and focused workshops will be organized in the evenings with readings and guest speakers who may connect remotely. The Miké Hotel is the oldest hotel of the island, from a time there were no streets and no port. It will serve as our base of operations and accommodations. A special arrangement allows access to the small conference room to be used as temporary studio space, lecture hall, and meeting place. Much of our work will be conducted as field work, asking, how can we transform found material and experiences, and eventually how can we bring artworks or artwork elements from the island back to Zurich, and what are the sequences and the consequences of this change of context and the literal and metaphorical changes we are exposed to during the seminar. The final result of this course is an eventual exhibition of works inspired by or created on the Amorgos Island, later in the year. Daily documentation by the students |
Inhalte | This course focuses on the possibilities of a process that has been broadly dealt with in the arts and in science and that for humans is often considered impossible or of high levels of difficulty. To which extent are we living with the concept of change? How does technology affect our perception of change and how can we as artists observe natural phenomena to comprehend transformation that is explained or studied through science? Transformation of subjects and objects, concepts, ideas. Transformation as a way of survival, of life, of death, of punishment or justice, transformation as intention or as accident. How do we visualize, describe, trigger or generate (f)acts of transformation? While realizing a long and slow trip from Zürich to the remote island of Amorgos in the Southeastern Aegean Sea in Greece, we will get familiar to a number of examples – cases of transformation as they appear in literature, mythology, religion, film and natural sciences. Our theoretical input will be supported by daily excursions to sites related to the concept of transformation – unique on the Island. These examples will function as our basic material to study the phenomenon from a metaphorical and a literal point of view. In our daily routine, we will work with language and figures of speech as metaphor, simile, analogy or adynaton (in greek, impossible) to observe how the ways we use language correspond to the ways we perceive reality, asking what is the relationship between language with knowledge. |
Bibliographie / Literatur | Key Texts F. Nietzsche – “Thus Spoke Zarathustra“ M. Kaku – “Physics of the impossible” Ovid –“ Metamorphoses” G. Deleuze – “Bergson’s Conception of Difference” (Desert islands and other texts) M. Foucault – “The Utopian body” Key artworks N. Gatsos – “Amorgos” Pierre Huyghe – “Exomind (Deep Water)” Euripides Laskaridis – “Relic” Andrew Pekler – “Phantom islands – A Sonic Atlas” Vajiko Chachkhiani – „Living Dog Among Dead Lions “ Rimini Protokol – “Evros Walk Water” |
Termine | 14.4 to 22.4 from ZHdK to Amorgos island, Greece (6 on spot, 2 travel) + 3 days preparation of- and final exhibition in Zürich (exact dates to be announced) |
Dauer | 1 intensive week 1+2 days exhibition |
Bewertungsform | bestanden / nicht bestanden |
Bemerkung | Flight Zurich-Athens 14.4 (morning flight, arrival before 15.00) Boat Athens (Pireaus)-Amorgos (Aegiali): 14.4 dep. 17:00 - arr. 01:30 Boat Amorgos (Katapola)-Athens (Pireaus): 22.4 dep. 6.00 - arr. 15:00 Flight Athens-Zurich 22.4 (evening flight, departure after 17.00) Accommodation in double rooms (mikehotel.gr) Students are responsible for their flight costs. Accommodation, boat tickets and transportation on the island is covered by the ZHdK - The number of participants is limited to 12. If the number of applications is higher, a selection procedure decides on participation. |